| 1.
|
楽譜
|
by Günther Massenkeil ; [prefatory matter] translated from the German by A.C. Howie
目次情報:
続きを見る
|
Lauda Anima e corpo : (1577) |
Anon. |
|
From Rappresentazione di anima e di corpo (1600) |
Emilio de' Cavalieri |
|
Dialogo (1611) |
Biagio Tomasi |
|
From Repraesentatio harmonica conceptionis et nativitatis S. Joannis Baptistae (c. 1618) |
Daniel Bollius |
|
From Dialogo (The offering of Isaac) : (1619) |
Giovanni Francesco Anerio |
|
Recitative and aria ("Romanesca") from S. Tommaso (1640) |
Marco Marazzoli |
|
Chorus of Israelites, dialogue between Jephthah and his daughter, and final-chorus : from Jephte (c. 1645) |
Giacomo Carissimi |
|
From Vom reichen Manne und Lazaro : (1649) |
Andreas Fromm |
|
From Adam : (c. 1650) |
Bonifazio Graziani |
|
Quartet of the elements from the Sepolcro : Il lutto dell'universo : (1668) |
Kaiser Leopold I |
|
Herod's aria : from S. Giovanni Battista (1675) |
Alessandro Stradella |
|
Trio Ismaele-Agar-Abramo : from Agar et Ismaele esiliati (1683) |
Alessandro Scarlatti |
|
From Le reniement de St-Pierre : (c. 1690) |
Marc-Antoine Charpentier |
|
Dialogue of the angel and the shepherds : from Oratorio de Noël (1701) |
Jacques-François Lochon |
|
St. John's aria : from La resurrezione (1708) |
G.F. Händel |
|
St. Petronio's aria : from S. Tetronio (1720) |
Giacomo Antonio Perti |
|
Introduction and recitative albin and guide from Die Pilgrime auf Golgatha : (1742) |
Johann Adolf Hasse |
|
Recitative and chorale from Der Tod Jesu : (1755) |
Carl Heinrich Graun |
|
Dialogue of Mary and Martha : from Die Auferweckung Lazarus (1773) |
Johann Christoph Friedrich Bach |
|
Recitative and shepherds' march from La nativité : (1774) |
François-Joseph Gossec |
|
Recitative of Jesus and chorus of warriors : from Christus am Ölberge, op. 85 (1803) |
Ludwig van Beethoven |
|
Raphael's aria : from Das Weltgericht (1819) |
Friedrich Schneider |
|
Chorus from Premier oratorio pour le couronnement : (1825?) |
Jean François Le Sueur |
|
Peter's aria and Mary's recitative : from Des Heilands letzte Stunden (1835) |
Louis Spohr |
|
Chorale and St. Paul's aria : from Paulus, op. 36 (1836) |
Felix Mendelssohn Bartholdy |
|
Tenor aria with chorus from Oratorio de Noël : op. 12 (1869) |
Camille Saint-Saëns |
|
Baritone solo with chorus from Christus : (1872) |
Franz Liszt |
|
Song of Rhapsodes : from Odysseus, op. 41 (1872) |
Max Bruch |
|
Recitation and angels' chorus : from Rédemption (1873) |
César Franck |
|
Narrator's aria from Ève : (1875) |
Jules Massenet |
|
Chorale and death of Jesus : from La rédemption (1882) |
Charles Gounod |
|
Ludmila's recitative and Ivan's aria : from Svatá Ludmila, op. 71 (1886) |
Antonín Dvořák |
|
Gerontius' song : from The dream of Gerontius (1900) |
Edward Elgar |
|
Lauda Anima e corpo : (1577) |
Anon. |
|
From Rappresentazione di anima e di corpo (1600) |
Emilio de' Cavalieri |
|
Dialogo (1611) |
Biagio Tomasi |
|
| 2.
|
楽譜
|
by Heinrich Hüschen ; [introduction] translated from the German by A.C. Howie
目次情報:
続きを見る
|
Zweistimmige Motette aus dem Kodex Huelgas (13. Jh.) |
|
|
Dreistimmige Motette aus dem Kodex Bamberg (13. Jh.) |
|
|
Dreistimmige Motette aus dem Kodex Montpellier (13. Jh.) |
|
|
Vierstimmige Motette aus dem Kodex Montpellier (13. Jh.) |
|
|
In arboris empiro |
Philippe de Vitry |
|
Biaute paree de valour |
Guillaume de Machaut |
|
O felix templum jubila |
Johannes Ciconia |
|
Quam pulcra es |
John Dunstable |
|
Flos florum, fons ortorum |
Guillaume Dufay |
|
Alma redemptoris Mater |
Johannes Ockeghem |
|
Parce, Domine |
Jacob Obrecht |
|
O bone Jesu |
Loyset Compère |
|
Tribulatio et angustia |
Josquin Desprez |
|
Ave Regina caelorum |
Pierre de la Rue |
|
O Thoma, laus et gloria |
Adrian Willaert |
|
Nun bitten wir den heiligen Geist |
Johannes Walter |
|
Peccantem me quotidie |
Philippe de Monte |
|
Rex pacificus |
Giovanni Pierluigi da Palestrina |
|
Heroum soboles, amor orbis |
Orlando di Lasso |
|
Gavisi sunt discipuli |
Giovanni Maria Nanino |
|
Pastores loquebantur |
Tomás Luis de Victoria |
|
Laetentur coeli |
Jacobus Gallus |
|
Christ ist erstanden |
Johannes Eccard |
|
Domine exaudi |
Giovanni Gabrieli |
|
Qui vult venire post me |
Jan Pieterszoon Sweelinck |
|
Jubilate Deo |
Hans Leo Haßler |
|
Laudate Dominum |
Claudio Monteverdi |
|
Allein Gott in der Höh sei Ehr |
Michael Praetorius |
|
Also hat Gott die Welt geliebt |
Melchior Franck |
|
So fahr ich hin |
Heinrich Schütz |
|
De profundis clamavi |
Orazio Benevoli |
|
Dies ist der Tag |
Philipp Heinrich Erlebach |
|
Ave Regina |
Johann Joseph Fux |
|
Es segne uns Gott |
Georg Philipp Telemann |
|
In dulci jubilo |
Gregor Joseph Werner |
|
Libera me, Domine |
Johann Michael Haydn |
|
Qui seminant in lacrimis |
Franz Liszt |
|
Tantum ergo |
Anton Bruckner |
|
Mond und Menschen |
Arnold Schönberg |
|
Pastores loquebantur |
Paul Hindemith |
|
Die zwei Blinden |
Johann Nepomuk David |
|
Taube auf dem Dach |
Ernst Krenek |
|
Ich habe alles Dinges ein Ende gesehen |
Ernst Pepping |
|
Komm, Heiliger Geist, Herre Gott |
Hugo Distler |
|
Zweistimmige Motette aus dem Kodex Huelgas (13. Jh.) |
|
|
Dreistimmige Motette aus dem Kodex Bamberg (13. Jh.) |
|
|
Dreistimmige Motette aus dem Kodex Montpellier (13. Jh.) |
|
|
| 3.
|
楽譜
|
by Wolfgang Stockmeier ; [introduction] translated from the German by A.C. Howie
目次情報:
続きを見る
|
Jacobs Heyrath : (1700) |
Johann Kuhnau |
|
Aeolus storming : from the Ouverture in C major |
Georg Philipp Telemann |
|
In the haymaking month of July : from Musical calendar (1748) |
Gregor Joseph Werner |
|
Sonata militare : rappresenta la conquista della Fortezza d'Oczachay |
Ferdinand Kauer |
|
Il terremoto : from the orchestral version of The seven last words of our saviour on the cross (1785) |
Joseph Haydn |
|
Hamlet : symphonic poem for large orchestra (1858) |
Franz Liszt ; arranged by Wolfgang Stockmeier |
|
Lemminkäinen and the maidens of Saari : from Four legends op. 22 (1895) |
Jean Sibelius ; arranged by Wolfgang Stockmeier |
|
Guernica : pianopiece after Pablo Picasso (1937) |
Paul Dessau |
|
Linda maestra! : from Los Caprichos (1963) |
Hans Werner Henze |
|
Divergencies : from the Second organ sonata (Meditations on the book of Jonah) (1966) |
Wolfgang Stockmeier |
|
Sequences on St. John 1. 32 for harp : (1962), I saw the spirit descending from heaven like a dove, and it abode upon him |
Heinz Holliger |
|
Jacobs Heyrath : (1700) |
Johann Kuhnau |
|
Aeolus storming : from the Ouverture in C major |
Georg Philipp Telemann |
|
In the haymaking month of July : from Musical calendar (1748) |
Gregor Joseph Werner |
|
| 4.
|
楽譜
|
Matthew Locke & Christopher Gibbons ; edited by Edward J. Dent
|
| 5.
|
楽譜
|
Arne, Milton, Dalton ; edited by Julian Herbage
目次情報:
続きを見る
|
Overture |
|
|
Act 1. Song, now phoebus sinketh in the west |
|
|
Song, by dimpl'd brook |
|
|
Duet, from tyrant laws and customs free |
|
|
Song, by the gayly circling glass |
|
|
Dance |
|
|
Song, sweet eccho |
|
|
Song, fly swiftly, ye minutes |
|
|
Chorus, away, away |
|
|
Act 2. Song, Fame's an eccho |
|
|
Song, would you taste the noontide air? |
|
|
Trio, live and love, enjoy the fair |
|
|
Act 3. Song, come, come, bid adieu to fear |
|
|
Recit, how gentle was by Damon's air |
|
|
Ballad, on ev'ry hill in ev'ry grove |
|
|
Recit, love, the greatest bliss below |
|
|
Ballad, the wanton god |
|
|
Recit, from the realms of peace above |
|
|
Song, nor on beds of fanding flow'rs |
|
|
Song, preach me not your musty rules |
|
|
Song, ye fawns, and ye dryads |
|
|
Song, Saburina fair |
|
|
Song, by the rushy-fringed bank |
|
|
Recit, gentle swain, and song, thrice upon thy finger's tip |
|
|
Chorus, taught by virtue |
|
|
Overture |
|
|
Act 1. Song, now phoebus sinketh in the west |
|
|
Song, by dimpl'd brook |
|
|
| 6.
|
楽譜
|
edited by John Stevens
|
| 7.
|
楽譜
|
Thomas Tomkins ; edited by Stephen D. Tuttle
目次情報:
続きを見る
|
Prelude |
|
|
Piece of a prelude : July 9, 1647 |
|
|
Clarifica me pater : September 1650 |
|
|
In nomine : January 20-28, 1647 : version I |
|
|
In nomine : January 20, 1647 - August 2, 1650 : version II |
|
|
In nomine : May 1648 |
|
|
In nomine : June 16, 1648 |
|
|
In nomine : October 27, 1648 |
|
|
In nomine : Febrary 1650 : version I |
|
|
In nomine : Febrary 14, 1650 : version II |
|
|
In nomine : June 28, 1652 |
|
|
Miserere : September 15, 1648 |
|
|
Miserere : October 7, 1648 |
|
|
Miserere : May 26, 1651 |
|
|
Miserere : Febrary 3-4, 1652 |
|
|
Miserere |
|
|
Offertory : 1637 |
|
|
Fancy : November 9, 1646 |
|
|
Fancy : July 8, 1647 |
|
|
Voluntary : August 10 - September 10, 1647 |
|
|
Fancy : October 24, 1648 |
|
|
A verse of three parts : August 12, 1650 |
|
|
A short verse |
|
|
Voluntary |
|
|
Fancy |
|
|
A substantial verse maintaining the point |
|
|
Fancy : for two to play |
|
|
Fancy : for viols |
|
|
Ut, re, mi, fa, sol, la : for a beginner |
|
|
Ut, re, mi, fa, sol, la |
|
|
Ut, mi, re |
|
|
Ground |
|
|
Pavan : Earl Stafford : september 29, 1647 : short version |
|
|
Galliard : Earl stafford : short version |
|
|
Pavan : Earl Stafford : October 2, 1647 : long version |
|
|
Galliard : Earl stafford : long version |
|
|
Pavan : April 1650 |
|
|
Galliard : October 1, 1650 |
|
|
Pavan : September 4, 1654 |
|
|
Galliard : September 7, 1654 |
|
|
Pavan of three parts |
|
|
Galliard of three parts |
|
|
Pavan : Sseptember 10, 1647 |
|
|
Pavan : September 14, 1647 |
|
|
A sad pavan : for these distracted times : Fabruary 14, 1649 |
|
|
Pavan : August 20, 1650 |
|
|
Short pavan : July 19, 1654 |
|
|
Pavan |
|
|
Pavan : Lord Canterbury : 1647 |
|
|
The hunting galliard |
|
|
The Lady Folliott's galliard |
|
|
Galliard (by Gibbons?) |
|
|
Fortune my foe : July 4, 1654 |
|
|
Barafostus' dream |
|
|
Robin Hood (Anon: by Morley?) |
|
|
What if a day (Campion, set by Tomkins) |
|
|
Worcester brawls |
|
|
The perpetual round : September 7-8, 1654 |
|
|
Toy : made at Poole Court |
|
|
[On a plainsong] |
|
|
Toy : Mr. Curch |
|
|
Ut, re, mi, fa, sol, la (fragment) |
|
|
Ut, re, mi, fa, sol, la : June 30, 1654 (fragment?) |
|
|
Go from by window (fragment) |
|
|
Bitts or morcells (fragments) |
|
|
[A short verse] for Edward [Thornburgh] |
|
|
Another [short verse] |
|
|
[Voluntary] for Mr Arc[hdeacon] Thornburgh |
|
|
Prelude |
|
|
Piece of a prelude : July 9, 1647 |
|
|
Clarifica me pater : September 1650 |
|
|
| 8.
|
楽譜
|
Giles & Richard Farnaby ; transcribed and edited by Richard Marlow
目次情報:
続きを見る
|
Prelude |
|
|
Ground |
|
|
Fantasia |
|
|
Pavan |
Robert Johnson ; set by Farnaby |
|
The flat pavan |
John Johnson ; set by Farnaby |
|
Lachrymae pavan |
John Dowland ; set by Farnaby |
|
Pavan |
by Morley? ; set by Farnaby |
|
Walder Earle's pavan |
|
|
Farmer's pavan |
|
|
Galliard |
|
|
Rosseter's galliard |
Rosseter ; set by Farnaby |
|
Alman |
|
|
Alman |
Robert Johnson ; set by Farnaby |
|
Meridian alman |
set by Farnaby |
|
[Alman] for two virginals |
|
|
Tower hill |
|
|
Jigg |
|
|
Toy |
|
|
The old spagnoletta |
|
|
Spagnoletta |
|
|
Mask |
|
|
Mask |
John Coperario ; set by Farnaby |
|
The Lord Zouche's mask |
|
|
Bonny sweet Robin |
|
|
Daphne |
|
|
Mal sims |
|
|
Muscadin or Kempe's morris |
|
|
Why ask you? |
|
|
Woody-cock |
|
|
Loath to depart |
|
|
Quodling's delight |
|
|
Tell me daphne |
|
|
Put up thy dagger Jemy |
|
|
The New Sa-hoo |
|
|
Paul's wharf |
|
|
Rosasolis |
|
|
Up tails all |
|
|
The King's hunt |
|
|
Giles Farnaby's dream |
|
|
His rest |
|
|
Farnaby's conceit |
|
|
His humour |
|
|
Duo |
by Richard Farnaby |
|
Nobody's jigg or Fleet street |
by Richard Farnaby |
|
Fain would I wed |
by Richard Farnaby |
|
Hanskin |
by Richard Farnaby |
|
| 9.
|
楽譜
|
John Jenkins ; transcribed and edited by Andrew Ashbee
目次情報:
続きを見る
|
Air in G minor |
|
|
Air in D minor |
|
|
Pavan in F major |
|
|
Air in F major |
|
|
Air in C major |
|
|
Air [fantasia] in C major |
|
|
Air in E minor |
|
|
Air in D major |
|
|
"Newark siege" in D major |
|
|
Galliard in D major |
|
|
Air in A minor |
|
|
Fantasia in A minor |
|
|
Pavan in A minor |
|
|
Pavan in B♭ major |
|
|
Air in B♭ major |
|
|
Fantasia in B♭ major |
|
|
Suite no. 1 in G minor |
|
|
Suite no. 2 in A minor |
|
|
Suite no. 3 in D minor |
|
|
Suite no. 4 in F major |
|
|
Suite no. 5 in B♭ major |
|
|
Suite no. 6 in F major |
|
|
Suite no. 7 in E minor |
|
|
Suite no. 8 in D major |
|
|
Fantasia no. 7 in C minor |
|
|
Fantasia no. 9 in C minor |
|
|
Fantasia no. 12 in D major |
|
|
Fantasia no. 15 in C major |
|
|
Fantasia no. 16 in D minor |
|
|
Alman [4] in C major |
|
|
[Alman] [7] in C minor |
|
|
Alman [10] in D major |
|
|
Alman [11] in D major |
|
|
Air [25] in G major |
|
|
Alman [31] in G minor |
|
|
Corant [38] in C major |
|
|
Corant [39] in C minor |
|
|
Corant [41] in D minor |
|
|
Pavan [46] in A minor |
|
|
Pavan [47] in D minor |
|
|
Pavan [51] in G minor |
|
|
Air in G minor |
|
|
Air in D minor |
|
|
Pavan in F major |
|
|
| 10.
|
楽譜
|
William Boyce ; edited by Gerald Finzi
目次情報:
続きを見る
|
Overture, Ode for his majesty's birthday, 1769 |
|
|
Overture, Ode for the new year, 1770 |
|
|
Overture, Ode for his majesty's birthday, 1770 |
|
|
Overture, Ode for the new year, 1771 |
|
|
Overture, Ode for his majesty's birthday, 1771 |
|
|
Overture, Ode for the new year, 1772 |
|
|
Overture, Ode for his majesty's birthday, 1772 |
|
|
Overture, Ode for his majesty's birthday, 1775 |
|
|
Overture, Ode for the new year, 1777 |
|
|
Overture, Ode for his majesty's birthday, 1755, and new year, 1779 |
|
|
Overture, Ode for the new year, 1758 |
|
|
Overture, Ode for his majesty's birthday, 1758 |
|
|
Overture, Ode for the new year, 1760 |
|
|
Overture, Ode for his majesty's birthday, 1768 |
|
|
Overture, Peleus & thetis |
|
|
Overture, Part II, St. Cecilia Ode (Lockman) |
|
|
Overture, Ode for St. Cecilia's day (Vidal) |
|
|
Symphony, "The souls of the righteous" |
|
|
Overture, Ode for his majesty's birthday, 1769 |
|
|
Overture, Ode for the new year, 1770 |
|
|
Overture, Ode for his majesty's birthday, 1770 |
|
|
| 11.
|
楽譜
|
edited by Kenneth Elliott ; song-texts edited by Helena Mennie Shire
目次情報:
続きを見る
|
Mass à 3 |
|
|
Mass Rex virginum à 4 |
|
|
Mass L'homme armé à 4 |
Robert Carver |
|
Mass Felix namque à 6 |
|
|
O bone jesu à 19 |
Robert Carver |
|
Descendi in hortum meum (from The song of solomon) à 4 |
|
|
Deus misereatur nostri (Psalm 67) à 4 |
Robert Johnson |
|
Si quis diligit me à 4 or à 5 |
David Peebles-Francy Heagy |
|
Quam multi, domine (Psalm 3) à 4 |
David Peebles |
|
Blessed art thou (Psalm 128) à 5 |
Andro Blackhall |
|
Judge and reverge my cause (Psalm 43) à 5 |
Andro Blackhall |
|
Te deum (We praise thee, O God) à 4 |
Andro Kemp |
|
Our father, whiche in heaven art (the Lord's prayer) à 4 |
John Angus |
|
All my belief (the xii articles of the christian fayth) à 4 |
John Angus |
|
Three setting of psalm 1 (The man is blest) |
David Peebles |
|
Three setting of psalm 18 (O God, ny strength and fortitude) |
David Peebles , [Andro Blackhall?] |
|
Three setting of psalm 113 (Ye children, which do seave the Lord) |
David Peebles , Andro Kemp |
|
Three setting of psalm 124 (Now Israel may say) |
David Peebles , Andro Kemp |
|
The gowans are gay |
|
|
In a garden so green |
|
|
My heartly service (the pleugh song) |
|
|
Our father God celestial (the Lord's prayer) |
[Pierre Cadéac] |
|
Com palefaced death |
[Robert] Johnson |
|
Woe worth the tyme |
|
|
Alas that same sueit face |
|
|
O lusty May |
|
|
All sons of Adam (the Christmas medley) |
|
|
O God abufe |
John Fethy |
|
The time of youth |
[John Fethy?] |
|
Support your servand |
|
|
Richt soir opprest |
|
|
O mortal man |
|
|
Departe, departe (the lament of the maister of Erskyn) and You lovers all |
|
|
How suld my febill body fure? |
|
|
Defiled is my name |
[Robert] Johnson |
|
Absent I am |
|
|
Remember me, my deir |
|
|
The flaming fire |
|
|
Nou let us sing |
|
|
Adeu, O desie of delyt and Declair ye banks of Helicon |
Andro Blackhall |
|
Before the Greeks durst enterpryse or Whenas the greeks |
|
|
My bailful briest |
|
|
No wonder is suppose |
|
|
In throu the windows of myn ees and Psalm 2 |
|
|
Lyk as the dum solsequium |
[La Grotte, set by?] |
|
Evin dead behold I breathe |
|
|
What mightie motion |
|
|
Come, my children dere |
|
|
Since that my siches |
|
|
Joy to the person of my love |
|
|
Care away go thou from me |
|
|
Where art thou, hope? |
|
|
Doune in yone gardeine (Christ in gethsemane) |
|
|
Let not, I say, the sluggish sleep |
[Andro Melvill?] |
|
Come love, let's walk and The thoughts of men |
|
|
Walking I chanc'd into a shade |
|
|
When chill cold age |
|
|
Begone, sweit night |
|
|
Then wilt thou goe |
|
|
Balulalow (ane sang of the birth of Christ and lady Bothwell's lament) |
|
|
Yee Gods of love |
|
|
Hollow my fancie |
[set by] Mr Beck |
|
O're hills, o're mountains (fancy free) |
[set by] Mr Beck |
|
One yeir begins (lady Lothian's lilt) |
|
|
Ane exempill of tripla à 4 |
|
|
In nomine à 5 |
[Robert] Johnson |
|
Prince Edward's paven à 4 |
|
|
The Queine of Ingland's paven à 4 |
|
|
Paven à 4 |
|
|
[Gilliard] à 4 |
|
|
Lytill blak à 3 |
[John Black] |
|
Ane lessone upon the first psalme à 4 |
[John Black?] |
|
Ane lessone upon the secund psalme à 4 |
[John Black?] |
|
My Lord of Marche paven à 4 |
James Lauder |
|
Ane Ground à 3 |
|
|
Wilson's fantasie à 4 |
[Wilson?] |
|
Mass à 3 |
|
|
Mass Rex virginum à 4 |
|
|
Mass L'homme armé à 4 |
Robert Carver |
|
| 12.
|
楽譜
|
William Byrd ; transcribed and edited by Alan Brown
目次情報:
続きを見る
|
[v.] 1. Pieces with "G" final (minor). Prelude |
|
|
Passamezzo pavan |
|
|
Passamezzo galliard |
|
|
Pavan: Sir William Petre |
|
|
Galliard |
|
|
Pavan |
|
|
Pavan: Delight |
|
|
Fortune |
|
|
Rowland or Lord Willoughby's Welcome Home |
|
|
Walsingham |
|
|
Ground |
|
|
The queen's alman |
|
|
Alman |
|
|
Pieces with "A" final (minor). Prelude |
|
|
Fantasia |
|
|
Pavan: The earl of Salisbury |
|
|
Second galliard |
|
|
The galliard jig |
|
|
Qui passe: for my lady Nevell |
|
|
Hugh Ashton's ground or tregian's ground |
|
|
The first french coranto |
|
|
The second french coranto |
|
|
The third french coranto |
|
|
Jig |
|
|
Pieces with "B" flat final (major). Pavan |
|
|
Pieces with "C" final (major & minor). Prelude |
|
|
Verse |
|
|
Pavan: Kinborough good |
|
|
Galliard: mistress Mary Brownlow |
|
|
Callino casturame |
|
|
The carman's whistle |
|
|
Wilson's wild |
|
|
The bells |
|
|
Hornpipe |
|
|
The Hunt's up (I) |
|
|
The Hunt's up (II) |
|
|
Monsieur'alman |
|
|
Coranto |
|
|
[v.] 2. Pieces with "D" final (minor). Fantasia |
|
|
Clarifica me, pater (I) |
|
|
Clarifica me, pater (II) |
|
|
Clarifica me, pater (III) |
|
|
Gloria tibi trinitas |
|
|
In nomine |
|
|
Lachrymae pavan |
|
|
All in a garden green |
|
|
My lady Nevell's ground |
|
|
Pieces with "F" final (major). Ut re mi fa sol la |
|
|
Pavan: bray |
|
|
Pavan: Ph. tregian |
|
|
Pieces with "G" final (major). Voluntary: for my lady Nevell |
|
|
Ut re mi fa sol la |
|
|
Ut mi re |
|
|
Miserere (I) |
|
|
Miserere (II) |
|
|
Salvator Mundi (I) |
|
|
Salvator Mundi (II) |
|
|
Quadran pavan |
|
|
Quadran galliard |
|
|
Pavan: Canon 2 in 1 |
|
|
Lady Monteagle's pavan |
|
|
The ghost |
|
|
Go from my window |
|
|
Gypsies' round |
|
|
John come kiss me now |
|
|
The maiden's song |
|
|
O mistress mine |
|
|
Sellinger's round |
|
|
The woods so wild |
|
|
Monsieur's alman (I) |
|
|
Monsieur's alman (II) |
|
|
Lavolta: lady Morley |
|
|
Lavolta |
|
|
The barley-break |
|
|
The march before the battle: or, The earl of Oxford's march |
|
|
The battle |
|
|
The galliard for the victory |
|
|
[v.] 1. Pieces with "G" final (minor). Prelude |
|
|
Passamezzo pavan |
|
|
Passamezzo galliard |
|
|
