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Gregorian chant: Gradual verses "Domine refugium" and "Ad annuntiandum" |
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Franciscan Lauda "Laudiamo Jesu" (a 2) |
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Song of praise to the Virgin "Virgene benedeta" (a 2) |
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Ambrosian lamentation chants "Domine miserere" and "De profundis" (a 2) |
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Kyrie for a keyboard instrument (a 2) |
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Sacred song "Ubi caritas et amor" (a 3) |
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English discant "In te Domine speravi" (a 3) |
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Pentecost hymn "Veni Creator Spiritus" (a 3) |
G. Binchois |
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Frottola (Justiniana) "Aime sospiri" (a 3) |
Anonymous |
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Song "Nach willen dein" (a 4) |
P. Hofhaimer ; for organ by H. Kotter and by Anonymous, for lute by H. Newsidler |
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Chanson "Doulce memoire" (a 4) |
P. Sandrin ; with four recercate for violone by D. Ortiz ; for viola bastarda by V. Bonizzi |
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Madrigal "Lasciar il velo" (a 4) |
F. de Layolle ; with diminutions by G.C. Maffei |
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Madrigal "Tanto mi piacque" (a 4) |
C. de Rore ; with diminutions by G. dalla Casa |
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Madrigal "Signor mio caro" (a 4) |
C. de Rore ; with diminutions by G. dalla Casa and G. Bassano ; for viola bastarda by O. Bassani |
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"Colored" motet "Te maneat semper" (a 4) |
Hermann Finck |
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"A mente" counterpoints (a 3) |
G. Zarlino |
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Extempore canons (a 3) |
S. Calvisius |
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Introit of the mass for Christmas day (a 5) |
H. Chamaterò di Negri |
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Fantasia for clavichord |
Tomás de Sancta Maria |
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Canzone for four instruments, and embellished for organ |
C. Merulo |
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Sacred concerto "Allein Gott in der Höh' sei Ehr" : for two sopranos and bass, with continuo |
M. Praetorius |
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Solo motet "O admirabile commercium" : for soprano or tenor with continuo |
I. Donati ; unembellished version of the same composition by J.A. Herbst |
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Sacred duet "Hertzlich lieb hab ich dich" : for two sopranos with figured bass |
T. Michael |
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Air de cour "N'éspérez plus, mes yeux" (a 4) |
A. de Boësset ; diminutions by A. or E. Moulinié, H. le Bailly, and Boësset |
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Sacred song "O that mine eyes" : for solo voice with unfigured bass |
T. Brewer |
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Chorale prelude "Allein Gott in der Höh' sei Ehr" : for organ |
Joh. Christoph Bach |
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Adagio for violin and continuo |
A. Corelli |
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Arietta "Son un certo spiritello" : with realized continuo |
Anonymous |
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Execution of a thorough-bass |
J.D. Heinichen |
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Chamber duet "Sempre piango" : for two altos and continuo |
G.B. Bononcini ; with embellishments by C.A. Benati |
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Chamber duet "Son io, barbara donna" : for soprano and alto with continuo |
F. Durante ; embellished version for two sopranos |
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Adagio for harpsichord (embellished) |
J.S. Bach ; transcribed from an Oboe concerto by Alessandro Marcello |
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Largo for harpsichord (embellished) and orchestra, transcribed from the sinfonia of the Cantata "Ich steh' mit einem Fuß im Grabe" |
J.S. Bach |
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Adagio "in the Italian style" : for flute and thorough-bass |
J.J. Quantz |
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Sonata for violin and through-bass (1st and 3rd movements) |
F. Benda |
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Aria "Vom Dienst der Creatur verlassen" with free variation |
J.A. Hiller |
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Sonata for clavier with varied reprises |
C.P.E. Bach |
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Free fantasy for clavier |
C.P.E. Bach |
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Capriccio for the piano |
K. Czerny |
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Gregorian chant: Gradual verses "Domine refugium" and "Ad annuntiandum" |
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Franciscan Lauda "Laudiamo Jesu" (a 2) |
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Song of praise to the Virgin "Virgene benedeta" (a 2) |
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楽譜
