English songs : 1625-1660. 2nd, rev. ed
- フォーマット:
- 楽譜
- 責任表示:
- transcribed and edited by Ian Spink
- 言語:
- 英語
- 出版情報:
- London : published for the Misica Britannica Trust established by the Royal Musical Association [by] Stainer and Bell, 1977
- 形態:
- 1 score (xxiv, 211 p.) : facsims. ; 33 cm
- 著者名:
- シリーズ名:
- Musica Britannica : a national collection of music ; 33 <BA06870337>
- 目次情報:
-
Nicholas Lanier (1588-1666) : Weep no more my wearied eyes Fire! fire! lo hire I burn (Campian) Silly heart for bear No more shall meads be deck'd with flowr's (Carew) Mark how the blushful morn (Carew) Love and I of late did part Like hermit poor in pensive place obscure (Raleigh) Neither sighs, nor tears, nor mourning Stay, silly heart, and do not break Nor com'st thou yet, my slothful love: Recitative Tell me, shepherd, dost thou love? Dialogue Robert Ramsey (fl. 1616-1644) : What tears, dear prince, can serve (Raleigh) Go perjur'd man! and if you e'er return (Herrick) Thou may'st be proud (Herrick) Howl not, you ghosts and furies, while I sing: Dialogue (Herrick) Alfonso (?) Bales (d. 1635) : Chloris sigh'd, and sang, and wept (Pembroke) Shephen Mace (d. 1635) : Weep no more, nor sigh, nor groan (Beaumont & Fletcher: The queen of Corinth) John Jenkins (1592-1678) : Cease not, thou heav'nly-voiced glorious creature Why sigh'st thou, shepherd? Dialogue (Randolph) John Wilson (1595-1674) : Wherefore peep'st thou, envious day? (Donne?) Take, o take those lips away (Beaumont & Fletcher: The bloody brothēr) In a maiden time profess'd (Middleton: The witch) Languish and despair, my heart! Turn, turn thy beauteous face away (Beaumont & Fletcher: Love's cure) Pity of beauty in distress As tuned harp strings sad notes take Since love hath in thine and mine eye Awake, awake! the morn will never rise (Davenant) In the merry month of May (Breton) Thou great and good! could I but rate (Montrose) From the fair lavinian shore In a season all oppressed Henry Lawes (1596-1662) : I rise and grieve Speak, speak, at last reply Or you, or I, nature did wrong! Hard-hearted fair, if thou wilt not consent Sweet stay awhile; why do you rise? (Donne) Break heart in twain! fair ronile may see Transcendent beauty, thou that art O let me groan one word into thine ear (Pembroke) Slide soft you silver floods Out upon it, I have lov'd (Suckling) Come from the dungeon to the throne (Cartwright: The royal slave) Come my sweet while ev'ry strain (The royal slave) Now the sun is fled (The royal slave) Thou, o bright sun, who see'st all (The royal slave) Wert thou yet fairer than thou art Whither are all her false oaths blown? (Herrick) 'Tis but a frown, I prithee let me die No, no, fair heretic, it cannot be (Suckling) Will you know my mistress' face? Sleep soft, you cold clay cinders that late clad Bid me but live, and I will live (Herrick) Go thou gentle whisp'ing wind (Carew) When thou, poor excommunicate (Carew) Have you e'er seen the morning sun (Hughes) O tell me love! o tell me fate! (Hughes) Beauty and love once fell at odds O turn away those cruel eyes (Stanley) As celia rested in the shade: Dialogue (Carew) John Hilton (1599-1657) : Thou may'st be proud (Herrick) Wilt thou forgive the sin where I begun? (Donne) Am I despis'd because you say (Herrick) Hang golden sleep upon her eyelids fair If that I for thy sweet sake You meaner beauties of the night (Wotton) Rise, princely shepherd, and be arbiter: Dialogue Charles Coleman (d. 1664) : Wake my adonis, do not die (Cartwright) Bright Aurelia, I do owe Wilt thou be gone, thou heartless man Change, platonics, change for shame How am I chang'd from what I was When Celia I intend do flatter you Did not you once, Lucinda, vow: Dialogue Simon Ives (1600-1662) : Will Chloris cast her sun-bright eyes Go bid the swan in silence die Shepherd well met, I prithee tell: Dialogue William Lawes (1602-1645) : Why should great beauty virtuous fame desire (Davenant) Why so pale and wan, fond lover? (Suckling: Aglaura) No, no, fair heretic, it needs must be (Aglaura) To whom shall I camplain; to men or gods? Pleasures, beauty, youth attend ye (Ford: The lady's trial) Faith, be no longer coy Gather ye rosebuds while ye may (Herrick) Come adonis, come away (Tatham) Charon, o Charon! hear a wretch oppress'd: Dialogue William Webb (fl. 1620-1656) : As life what is so sweet Go and bestride the southern wind Pow'rful morpheus, let thy charms Victorious beauty, though your eyes (Townshend) Since 'tis my fate to be thy slave Look back Castara from thine eye (Habington) William Caesar (alias Smegergill) (fl. 1615-1667) : Blow gently passion in my fair one's breast If any live that fain would prove Forbear fond swain, I cannot love: Dialogue George Jeffreys (d. 1685) : Drowsy phoebus, come away: Dialogue (Haustet: The rival friends) Have pity, grief; I cannot pay (The rival friends) Cruel! but once again (The rival friends) John Atkins (d. 1671) : Wert thou yet fairer than thou art This lady ripe and fair and fresh (Davenant: The just Italian) When the chill Cherocco blows (Bonham) I can love for an hour when I'm at leisure Thomas Brewer (b. 1611) : Mistake me not, I am as cold as hot O that mine eyes could melt into a flood Thomas Blagrave (d. 1688) : What means this strangeness now of late? (Aytoun) John Taylor (fl. 1637-1646) : Tell me not that I die, or live by thee (Tatham) Lay that sullen garland by thee Thomas Charles (?-?) : Why will you swear I am forsworn (Lovelace) Jeremy Savile (d. 1665) : I will not trust thy tempting graces (Stanley) Edward Coleman (d. 1669) : Why, dearest, should you weep (Cotton) The glories of our birth and state (Shirley: Ajax und ulysses) John Goodgroome (d. 1704) : Fret on, fond cupid, curse thy feeble bow Dost see how unregarded now (Suckling) Nicholas Lanier (1588-1666) : Weep no more my wearied eyes Fire! fire! lo hire I burn (Campian) Silly heart for bear No more shall meads be deck'd with flowr's (Carew) Mark how the blushful morn (Carew) Love and I of late did part - 書誌ID:
- BA10837470
- ISBN:
- 9780852494745 [0852494742]
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published for the Royal Musical Association [by] Stainer and Bell |
published for the Misica Britannica Trust established by the Royal Musical Association [by] Stainer and Bell |
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published for the Musica Britannica Trust established by the Royal Musical Association, Stainer and Bell |
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published for the Misica Britannica Trust established by the Royal Musical Association [by] Stainer and Bell |