1.
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楽譜
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herausgegeben von Louis Köhler ; revidiert von Adolf Ruthardt
出版情報: |
Leipzig : C.F. Peters, [19--] |
子書誌情報: |
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所蔵情報: |
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目次情報:
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Bd. 1. Sonate, Hob. XVI: 35 |
Haydn |
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Sonate, Hob. XVI: 27 |
Haydn |
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Sonate, Hob. XVI: 37 |
Haydn |
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Sonate, Hob. XVI: 36 |
Haydn |
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Sonate, Hob. XVI: 34 |
Haydn |
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Sonate, KV 545 |
Mozart |
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Sonate, K.S. 511 |
Mozart |
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Sonate, KV 332 |
Mozart |
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Sonate, KV 283 |
Mozart |
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Sonate, KV 331 |
Mozart |
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Sonate, Op. 49 Nr. 1 |
Beethoven |
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Sonate, Op. 49 Nr. 2 |
Beethoven |
|
Sonate, Op. 79 |
Beethoven |
|
Sonate, Op. 14 Nr. 1 |
Beethoven |
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Sonate, Op. 14 Nr. 2 |
Beethoven |
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Bd. 2. Sonate, Hob. XVI: 40 |
Haydn |
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Sonate, Hob. XVI: 49 |
Haydn |
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Sonate, Hob. XVI: 28 |
Haydn |
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Sonate, KV 280 |
Mozart |
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Sonate, KV 333 |
Mozart |
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Sonate, KV 533 |
Mozart |
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Sonate, KV 310 |
Mozart |
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Sonate, Op. 13 |
Beethoven |
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Sonate, Op. 2 Nr. 1 |
Beethoven |
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Sonate, Op. 27 Nr. 2 |
Beethoven |
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Sonate, Op. 26 |
Beethoven |
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Bd. 1. Sonate, Hob. XVI: 35 |
Haydn |
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Sonate, Hob. XVI: 27 |
Haydn |
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Sonate, Hob. XVI: 37 |
Haydn |
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2.
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楽譜
|
by Kurt Stephenson ; [translated from the German by Robert Kolben]
目次情報:
続きを見る
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Sonata in C minor |
Domenico Scarlatti |
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Sonata notturna in E major for 2 violins and b.c., 1st mov. |
Giovanni Battista Sammartini |
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Tafelmusik : in B minor for flute and b.c., last mov. |
Georg Philipp Telemann |
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Flute duet in A minor, 2nd mov. |
Johann Joachim Quantz |
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Symphony in D major, menuetto |
Georg Matthias Monn |
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Symphony in E flat major, 1st mov. |
Johann Wenzel Anton Stamitz |
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Sonata in F major |
Carl Philipp Emanuel Bach |
|
String trio in E flat major for 2 violins and violoncello, 1st mov. |
Joseph Haydn |
|
String quartet in C major op. 20 no. 2. finale: fuga a quattro soggetti |
Joseph Haydn |
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Sonata in E flat major, 2nd mov. in E major |
Joseph Haydn |
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Symphony in G minor K.V. 183. menuetto |
Wolfgang Amadeus Mozart |
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Violin concerto in D major K.V. 211. rondo |
Wolfgang Amadeus Mozart |
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String quartet in G major K.V. 387. finale |
Wolfgang Amadeus Mozart |
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Rondo in C major |
Ludwig van Beethoven |
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String quartet in C sharp minor op. 131, 1st mov. |
Ludwig van Beethoven |
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Sonata in C minor |
Domenico Scarlatti |
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Sonata notturna in E major for 2 violins and b.c., 1st mov. |
Giovanni Battista Sammartini |
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Tafelmusik : in B minor for flute and b.c., last mov. |
Georg Philipp Telemann |
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3.
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楽譜
|
by Hans Engel
目次情報:
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Italien. Questo mostrarsi lieta |
Bartholomäus Florentinus Organista |
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Oime el cuor |
Marcus Cara Veronensis |
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Teco, signora mia |
Alexander Florentinus |
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Dall' infelice grotte |
Alexander Coppinus |
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Se'l pensier che mi strugge |
Sebastiano Festa |
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Sapet' amanti |
Jakob Arcadelt |
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Mia benigna fortuna |
Cyprian de Rore |
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Occhi miei |
Domenico de Nola |
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Quand'io ero giovinetto |
Andrea Gabrieli |
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O fere stelle |
Luca Marenzio |
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Frankreich. Hélas que pourra devenir |
Jehan Caron |
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Tenez moy en vos bras |
Josquin des Près |
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Si iay en tousiour mon vouloir |
Pierre Certon |
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Hors enujeux retirez vous |
Nicolas Gombert |
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England. What is life or worldy pleasure |
William Byrd |
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Though Philomela lost her love |
Thomas Morley |
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The fields abroad with spangled flowers |
Thomas Morley |
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Hence Care thou art too cruel |
Thomas Weelkes |
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Weep, weep, weep, mine eyes |
John Wilbye |
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Fine knacks for ladies |
John Dowland |
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Spanien. Gasajémonos de husiá |
Juan de Ensina |
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Yo pensé que mi ventura |
Gabriel |
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Ojos morenos |
Juan Vasquéz |
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Ay que bino en tierra estrana |
F. Matheo Fleccia |
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Italien. Questo mostrarsi lieta |
Bartholomäus Florentinus Organista |
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Oime el cuor |
Marcus Cara Veronensis |
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Teco, signora mia |
Alexander Florentinus |
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4.
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楽譜
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by Friedrich Gennrich ; authorized translation by Rodney G. Dennis
目次情報:
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Songs of the troubadours. Pax in nomine Domini! |
Marcabru |
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Languan li jorn son lonc en mai |
Jaufré Rudel |
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Be m'an perdut lai enves Ventadorn |
Bernart de Ventadorn |
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Reis glorios, verais lums e clartatz |
Giraut de Bornelh |
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Baros de mon dan covit |
Peire Vidal |
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Us volers outracujatz |
Folquet Marselha |
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Lo ferm voler qu'el cor m'intra |
Arnaut Daniel |
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Kalenda maya |
Raïmbaut de Vequeiras |
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Fortz chauza es que tot lo major dan |
Gaucelm Faidit |
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Quant Amors trobet parit |
Peirol |
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Si tot s'est ma domn' esquiva |
Raimon de Miraval |
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Per solatz d'autrui chant soven |
Aimeric de Peguilhan |
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Ben volgra, s'esser poques |
Guiraut d'Espanha de Toloza |
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Pus sabers nom val ni sens |
Guiraut Riquier |
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A l'entrada del tens clar |
Anonym |
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Songs of the trouvères. Quant je plus sui en paour de ma vie |
Blondel de Nesle |
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Mont me semont Amours que je m'envoise |
Conon de Béthune |
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Maugré tous sainz et maugré Dieu ausi |
Huon d'Oisi |
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Mout me mervoil de ma dame et de moi |
Guiot de Provins |
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Le nouviaux tanz et mais et violete |
Gui II, chastelain de Couci |
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Lonc tans ai servi en balance |
Huque de Berzé |
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Contre tans que voi frimer |
Gace Brulé |
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Entendez tuit ensamble et li clerc et li lai |
Gautier de Coinci |
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En tous tans se doit |
Guillaume li Viniers |
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Bele Ysabiauz, pucele bien aprise |
Audefrois li Bastard |
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Ce fu en mai |
Moniot d'Arras |
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Lonc tens ai mon tens usé |
Moniot de Paris |
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L'autr'ier tout seus chevauchoie |
Richart de Semili |
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De bone amour vient et bonté |
Thibaut IV de Champagne, Roi de Navarre |
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En talent ai que je die |
Hues de la Ferté |
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En mai, quant li rossignolet |
Colin Muset |
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Talent avoie d'amer |
Richart de Fournival |
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De moi dolereus vos chant |
Gillebert de Berneville |
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Quant voi le felon tens finé |
Perrin d'Angicourt |
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Quant voi la glaie mèure |
Raoul de Soissons |
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Joliveté et bone amor m'enseigne |
Jehan d'Esquiri |
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Bergiers de vile champestre |
Robert Jehan de Rains |
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Prenés i garde |
Guillaume d'Amiens, li paignour |
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C'est la fins, koi que nus die |
Guillaume d'Amiens, li paignour |
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Robin m'aime, Robin m'a |
Adam de la Halle |
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Dame, or sui träis |
Adam de la Halle |
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Fines amouretes ai |
Adam de la Halle |
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Dieus soit en cheste maison |
Adam de la Halle |
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Chevalier mout estes quariz |
Anonyma |
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Au reperier que je fis de Prouvence |
Anonyma |
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Souvent souspire |
Anonyma |
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Songs of the Minnesänger and Meistersänger. Der winter waere mir ein zît |
Dietmar von Eist |
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Si darf mich des zîhen niet |
Friedrich von Hûsen |
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Deich von der quoten schiet |
Friedrich von Hûsen |
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Mir ist daz herze wunt |
Friedrich von Hûsen |
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Ich denke under wîlen |
Friedrich von Hûsen |
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Ich hôrte wol ein merlikin singen |
Ulrich von Guotenburc |
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Gewan ich ze Minnen ie quoten wân |
Rudolf von Fenis |
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Num ist niht mère mîn gedinge |
Rudolf von Fenis |
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Nu enbeiz ich doch des trankes nie |
Berngèr von Horheim |
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Hèr bâbest, ich mac wol genesen |
Walther von der Vogelweide |
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Allerèrst lebe ich mir werde |
Walther von der Vogelweide |
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Philippe, Künec herè |
Walther von der Vogelweide |
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Was wunders in der werlte vert |
Walther von der Vogelweide |
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Ine gesach in heide |
Neidhart von Reuental |
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"Sinc, ein guldin huon, ich gibe dir weize" |
Neidhart von Reuental |
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Maienzit Ane nit |
Neidhart von Reuental |
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Hie bevorn do wir kynder waren |
Meister Alexander |
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Des soltu clein geniesen |
Konrad von Würzburc |
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Sô wol dem hove, dâ man triuwe an hôher wirde hât |
Meister Zilies von Seine |
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Der kuninc Rodolp mynnet got und ist an truwen stete |
Der Unvuortzagete |
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Untruwe slîchet also eyn mûs |
Meister Rumelant |
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Het ich al der Werlde hulde |
Herman der Damen |
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"Frauenlob". Ich sach in einem garten gan |
Heinrich von Meissen |
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Nach der senenden claghe muz ich singen |
Wizlaw von Rügen |
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We, ich han gedacht |
Wizlaw von Rügen |
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Loybere risen |
Wizlaw von Rügen |
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"List du in der minne dro?" |
Wizlaw von Rügen |
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Ach starcker Got |
Graf Peter von Arberg |
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O, wunniklicher, wolgezierter mai |
Oswald von Wolkenstein |
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Her winter lass ab dein geblei |
Michel Behaim |
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Salve ich grus dich schone |
Hans Sachs |
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Nachdem David war redlich und aufrichtig |
Hans Sachs |
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Songs of the troubadours. Pax in nomine Domini! |
Marcabru |
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Languan li jorn son lonc en mai |
Jaufré Rudel |
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Be m'an perdut lai enves Ventadorn |
Bernart de Ventadorn |
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5.
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楽譜
|
Franz Tack
|
6.
|
楽譜
|
by Hermann Beck ; [introduction and notes English translation by Robert Kolben]
目次情報:
続きを見る
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Ballo alla polaccha and saltarello |
Giovanni Picchi |
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Primo ballo |
Lorenzo Allegri |
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Sonata da camera (1693) |
Giovanni Battista Brevi |
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Les baccanales |
François Couperin |
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Suite for flute and continuo |
Michel de la Barre |
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Suite |
Johann Hermann Schein |
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Suite for harpsichord |
Alessandro Poglietti |
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Ballo alla polaccha and saltarello |
Giovanni Picchi |
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Primo ballo |
Lorenzo Allegri |
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Sonata da camera (1693) |
Giovanni Battista Brevi |
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7.
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楽譜
|
by Karl Gustav Fellerer ; [introduction] English translation by Robert Kolben
目次情報:
続きを見る
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Pater noster |
Jacob Obrecht |
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Introitus: Justus ut palma |
Heinrich Isaac |
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Adieu mes amours |
Josquin des Prez |
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O bone Jesu |
Loyset Compère |
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Quodlibet : fürt jede stimm jr eygen Text |
Matthias Greiter |
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O Crux, ave, spes unica |
Cristobal de Morales |
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Ave Regina coelorum |
Adrian Willaert |
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Praestet hoc nati genitor |
Pierluigi da Palestrina |
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Ne timeas Maria |
Thomas Ludovico Victoria |
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Salvos nos fac domine : (responsorium pro populi christiani unione) |
Jacobus de Kerle |
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Gressus meos dirige : (Offetorium in Sabbato post Dominicam III Quadragesimae) |
Orlandus Lassus |
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Noe, Noe, dies est laetitiae |
Jean de Castro |
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Viderunt omnes fines : (In nativitate Domini) |
William Byrd |
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Sortez regretz |
Philippe de Monte |
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Madrigal "Piangea cantando" |
Pietro Antonio Bianco |
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Pater noster |
Jacob Obrecht |
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Introitus: Justus ut palma |
Heinrich Isaac |
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Adieu mes amours |
Josquin des Prez |
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8.
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楽譜
|
by Joseph Schmidt-Görg ; [introduction] English translation by Robert Kolben
目次情報:
続きを見る
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Kyrie of the XVIIIth mass of the Editio Vaticana |
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Kyrie of the IVth mass of the Editio Vaticana |
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Gloria of the XVth mass of the Editio Vaticana |
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Kyrie |
St. Hildegard of Bingen |
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Credo of the "Messe royale" |
Henri du Mont |
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Kyrie of the mass "Veni Creator" |
Anonymous |
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Kyrie-trope "Orbis factor" |
Anonymous |
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Gloria-trope "Cujus reboat" |
Anonymous |
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Kyrie-trope "Cunctipotens" : two-voice organum |
Anonymous |
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Kyrie-trope "Rex virginum amator" : two-voice organum |
Anonymous |
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Gloria |
Susay |
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Kyrie |
Defronciaco |
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Credo of the "Tournai mass" |
Anonymous |
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Kyrie of the "Notre Dame mass" |
Guillaume de Machaut |
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Kyrie |
Anonymous |
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Credo |
Zacharias de Teramo |
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Gloria with Marian-tropes |
John Dunstable |
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Sanctus of the mass "Se la face ay pale" |
Guillaume Dufay |
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Sanctus of the "Missa prolationum" |
Johann Ockeghem |
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Kyrie of the "Missa dominicalis l'homme armé" |
Ludwig Senfl |
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Kyrie of the "Missa je suis desheritée" |
Nicolas Gombert |
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Chanson "Je suis desheritée" |
Pierre Cadeac |
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Kyrie of the mass "Assumpta est Maria" |
Giovanni Pierluigi da Palestrina |
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Gloria of the mass "On me l'a dict" |
Orlando di Lasso |
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Kyrie of the mass "Benedicam Dominum" |
Claudio Merulo |
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Gloria of the "Missa cujus toni" |
Johann Kaspar Kerll |
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Sanctus of the "Missa di San Carlo" |
Johann Joseph Fux |
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Kyrie of the "Missa Dolorosa" |
Antonio Caldara |
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Gloria of the "Missa brevis in F" |
Joseph Haydn |
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Kyrie of the XVIIIth mass of the Editio Vaticana |
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Kyrie of the IVth mass of the Editio Vaticana |
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Gloria of the XVth mass of the Editio Vaticana |
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9.
|
楽譜
|
by Richard Jakoby ; [prefatory matter] English translation by Robert Kolben
目次情報:
続きを見る
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Aria, Arde il mio petto |
Giulio Caccini |
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Solo madrigal, Amarilli mia bella |
Giulio Caccini |
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Concerto ecclesiastico, Exaudi me, Domine |
Lodovico Grossi da Viadana |
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Chamber cantata, Io lo vedo |
Luigi Rossi |
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Tra pellegrine piante |
Anonymous |
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Chamber duet, Occhi, perchè piangete? |
Agostino Steffani |
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Lascia, deh lascia |
Alessandro Scarlatti |
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Titano all'inferno |
Antonio Caldara |
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Cantata IV : Orfeo |
Giovanni Battista Pergolesi |
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Aria, Auf, mein Geist |
Heinrich Albert |
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Adonis Tod bringt mich in Not |
Adam Krieger |
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Wende dich, Herr |
Andreas Hammerschmidt |
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Gegrüsset seist du, Holdselige! |
Matthias Weckmann |
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Wie soll ich dich empfangen |
Dietrich Buxtehude |
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Duetto II : Conservate, raddoppiate |
George Frederick Handel |
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La musette |
Nicolas Clérambault |
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Ich war dem Tropfen Gegenwart entronnen |
Friedrich Heinrich Himmel |
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Aria, Arde il mio petto |
Giulio Caccini |
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Solo madrigal, Amarilli mia bella |
Giulio Caccini |
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Concerto ecclesiastico, Exaudi me, Domine |
Lodovico Grossi da Viadana |
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10.
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楽譜
|
by Günther Massenkeil ; [prefatory matter] translated from the German by A.C. Howie
目次情報:
続きを見る
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Lauda Anima e corpo : (1577) |
Anon. |
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From Rappresentazione di anima e di corpo (1600) |
Emilio de' Cavalieri |
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Dialogo (1611) |
Biagio Tomasi |
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From Repraesentatio harmonica conceptionis et nativitatis S. Joannis Baptistae (c. 1618) |
Daniel Bollius |
|
From Dialogo (The offering of Isaac) : (1619) |
Giovanni Francesco Anerio |
|
Recitative and aria ("Romanesca") from S. Tommaso (1640) |
Marco Marazzoli |
|
Chorus of Israelites, dialogue between Jephthah and his daughter, and final-chorus : from Jephte (c. 1645) |
Giacomo Carissimi |
|
From Vom reichen Manne und Lazaro : (1649) |
Andreas Fromm |
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From Adam : (c. 1650) |
Bonifazio Graziani |
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Quartet of the elements from the Sepolcro : Il lutto dell'universo : (1668) |
Kaiser Leopold I |
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Herod's aria : from S. Giovanni Battista (1675) |
Alessandro Stradella |
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Trio Ismaele-Agar-Abramo : from Agar et Ismaele esiliati (1683) |
Alessandro Scarlatti |
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From Le reniement de St-Pierre : (c. 1690) |
Marc-Antoine Charpentier |
|
Dialogue of the angel and the shepherds : from Oratorio de Noël (1701) |
Jacques-François Lochon |
|
St. John's aria : from La resurrezione (1708) |
G.F. Händel |
|
St. Petronio's aria : from S. Tetronio (1720) |
Giacomo Antonio Perti |
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Introduction and recitative albin and guide from Die Pilgrime auf Golgatha : (1742) |
Johann Adolf Hasse |
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Recitative and chorale from Der Tod Jesu : (1755) |
Carl Heinrich Graun |
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Dialogue of Mary and Martha : from Die Auferweckung Lazarus (1773) |
Johann Christoph Friedrich Bach |
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Recitative and shepherds' march from La nativité : (1774) |
François-Joseph Gossec |
|
Recitative of Jesus and chorus of warriors : from Christus am Ölberge, op. 85 (1803) |
Ludwig van Beethoven |
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Raphael's aria : from Das Weltgericht (1819) |
Friedrich Schneider |
|
Chorus from Premier oratorio pour le couronnement : (1825?) |
Jean François Le Sueur |
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Peter's aria and Mary's recitative : from Des Heilands letzte Stunden (1835) |
Louis Spohr |
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Chorale and St. Paul's aria : from Paulus, op. 36 (1836) |
Felix Mendelssohn Bartholdy |
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Tenor aria with chorus from Oratorio de Noël : op. 12 (1869) |
Camille Saint-Saëns |
|
Baritone solo with chorus from Christus : (1872) |
Franz Liszt |
|
Song of Rhapsodes : from Odysseus, op. 41 (1872) |
Max Bruch |
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Recitation and angels' chorus : from Rédemption (1873) |
César Franck |
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Narrator's aria from Ève : (1875) |
Jules Massenet |
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Chorale and death of Jesus : from La rédemption (1882) |
Charles Gounod |
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Ludmila's recitative and Ivan's aria : from Svatá Ludmila, op. 71 (1886) |
Antonín Dvořák |
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Gerontius' song : from The dream of Gerontius (1900) |
Edward Elgar |
|
Lauda Anima e corpo : (1577) |
Anon. |
|
From Rappresentazione di anima e di corpo (1600) |
Emilio de' Cavalieri |
|
Dialogo (1611) |
Biagio Tomasi |
|
11.
|
楽譜
|
by Heinrich Hüschen ; [introduction] translated from the German by A.C. Howie
目次情報:
続きを見る
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Zweistimmige Motette aus dem Kodex Huelgas (13. Jh.) |
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Dreistimmige Motette aus dem Kodex Bamberg (13. Jh.) |
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Dreistimmige Motette aus dem Kodex Montpellier (13. Jh.) |
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Vierstimmige Motette aus dem Kodex Montpellier (13. Jh.) |
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In arboris empiro |
Philippe de Vitry |
|
Biaute paree de valour |
Guillaume de Machaut |
|
O felix templum jubila |
Johannes Ciconia |
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Quam pulcra es |
John Dunstable |
|
Flos florum, fons ortorum |
Guillaume Dufay |
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Alma redemptoris Mater |
Johannes Ockeghem |
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Parce, Domine |
Jacob Obrecht |
|
O bone Jesu |
Loyset Compère |
|
Tribulatio et angustia |
Josquin Desprez |
|
Ave Regina caelorum |
Pierre de la Rue |
|
O Thoma, laus et gloria |
Adrian Willaert |
|
Nun bitten wir den heiligen Geist |
Johannes Walter |
|
Peccantem me quotidie |
Philippe de Monte |
|
Rex pacificus |
Giovanni Pierluigi da Palestrina |
|
Heroum soboles, amor orbis |
Orlando di Lasso |
|
Gavisi sunt discipuli |
Giovanni Maria Nanino |
|
Pastores loquebantur |
Tomás Luis de Victoria |
|
Laetentur coeli |
Jacobus Gallus |
|
Christ ist erstanden |
Johannes Eccard |
|
Domine exaudi |
Giovanni Gabrieli |
|
Qui vult venire post me |
Jan Pieterszoon Sweelinck |
|
Jubilate Deo |
Hans Leo Haßler |
|
Laudate Dominum |
Claudio Monteverdi |
|
Allein Gott in der Höh sei Ehr |
Michael Praetorius |
|
Also hat Gott die Welt geliebt |
Melchior Franck |
|
So fahr ich hin |
Heinrich Schütz |
|
De profundis clamavi |
Orazio Benevoli |
|
Dies ist der Tag |
Philipp Heinrich Erlebach |
|
Ave Regina |
Johann Joseph Fux |
|
Es segne uns Gott |
Georg Philipp Telemann |
|
In dulci jubilo |
Gregor Joseph Werner |
|
Libera me, Domine |
Johann Michael Haydn |
|
Qui seminant in lacrimis |
Franz Liszt |
|
Tantum ergo |
Anton Bruckner |
|
Mond und Menschen |
Arnold Schönberg |
|
Pastores loquebantur |
Paul Hindemith |
|
Die zwei Blinden |
Johann Nepomuk David |
|
Taube auf dem Dach |
Ernst Krenek |
|
Ich habe alles Dinges ein Ende gesehen |
Ernst Pepping |
|
Komm, Heiliger Geist, Herre Gott |
Hugo Distler |
|
Zweistimmige Motette aus dem Kodex Huelgas (13. Jh.) |
|
|
Dreistimmige Motette aus dem Kodex Bamberg (13. Jh.) |
|
|
Dreistimmige Motette aus dem Kodex Montpellier (13. Jh.) |
|
|
12.
|
楽譜
|
by Walter Georgii
目次情報:
続きを見る
|
Colorists in Germany. Praeambulum |
Johann Kotter |
|
"Ein guter Dantz" |
Berhard Schmid the Elder |
|
English music in the 16th and 17th century. Praeludium |
William Byrd |
|
Praeludium |
John Bull |
|
A ground in gamut |
Henry Purcell |
|
Clavecinists in France. Le gazouillement |
François Couperin |
|
Les Moissonneurs |
François Couperin |
|
Les tricotets |
Jean Philippe Rameau |
|
L'enharmonique |
Jean Philippe Rameau |
|
The Italians in the 17th and 18th century. Capriccio |
Alessandro Poglietti |
|
Two sonatas |
Domenico Scarlatti |
|
Siciliana |
Giambattista Martini |
|
Sonata in D major, first and second mov. |
Baldassare Galuppi |
|
Sonata in D major, first mov. |
Pietro Domenico Paradisi |
|
Germany before and about the time of Bach. Plainte |
Johann Jakob Froberger |
|
Aria in A major |
Johann Pachelbel |
|
"Der todtkrancke und wieder gesunde Hiskias" |
Johann Kuhnau |
|
Suite on the chorale "Auf meinen lieben Gott" |
Dietrich Buxtehude |
|
Suite in C minor |
Georg Böhm |
|
Praeludium in E minor |
Johann Kaspar Ferdinand Fischer |
|
Two movements from suites |
Gattlieb Muffat |
|
Fantasia in E major |
Georg Philipp Telemann |
|
Praeludium in E-flat major |
Johann Sebastian Bach |
|
Capriccio in G minor |
Georg Friedrich Händel |
|
Sons of Bach and their contemporaries. Fantasia in E minor |
Wilhelm Friedemann Bach |
|
Rondo in C minor |
Karl Philipp Emanuel Bach |
|
Sonata in C minor, second mov. |
Johann Christian Bach |
|
Sonata in E-flat major, second and third mov. |
Johann Schobert |
|
Divertimento in F minor |
Georg Christoph Wagenseil |
|
The classical period. Sonata no. 62 (op. 50, no. 1), second mov. |
Muzio Clementi |
|
London sonata : in D major, last mov. |
Joseph Haydn |
|
Adagio in B minor, K. 540 |
Wolfgang Amadeus Mozart |
|
Bagatelles op. 126, nos. 4 and 5 |
Ludwig van Beethoven |
|
Romanticism and the national efforts in the 19th century. Sonata op. 24, third mov. |
Karl Maria von Weber |
|
Allegretto in C minor |
Franz Schubert |
|
"Kreisleriana" : op. 16, nos. 1 and 4 |
Robert Schumann |
|
"Softly and with feeling" : op. 7, no. 1 |
Felix Mendelssohn-Bartholdy |
|
Intermezzo op. 118, no. 2 |
Johannes Brahms |
|
Mazurka op. 68, no. 4 |
Frédéric Chopin |
|
Polka op. 13, no. 1 |
Friedrich Smetana |
|
"In the village" |
Modest Mussorgski |
|
Old provençal Christmas carol |
Franz Liszt |
|
"The girls from the Kivle valley" |
Edvard Grieg |
|
From the last turn of the century to the time between the two world wars. "Clair du lune" |
Claude Debussy |
|
"Danse languide" : op. 61, no. 4 |
Alexander Skrjabin |
|
"Träume am Kamin" : op. 143, no. 3 |
Max Reger |
|
First sonata, first mov. |
Paul Hindemith |
|
"Rainbow-trout" |
Cyril Scott |
|
Small piece for piano, op. 19, no. 2 |
Arnold Schönberg |
|
Colorists in Germany. Praeambulum |
Johann Kotter |
|
"Ein guter Dantz" |
Berhard Schmid the Elder |
|
English music in the 16th and 17th century. Praeludium |
William Byrd |
|
13.
|
楽譜
|
by Heinrich Husmann
目次情報:
続きを見る
|
The beginnings. Kyrie Cunctipotens |
|
|
Sancti spiritus assit |
|
|
Verbum bonum |
|
|
Thirteenth century "Ars antiqua". Organa, clausulae, motets. Hec dies. Leonin's organum |
|
|
Substitute clausulae by Perotin and others |
|
|
Substitute motet in seculum II |
|
|
Mors. Clausula Mors |
|
|
Motet Mors |
|
|
Et gaudebit. Clausula et gaudebit |
|
|
Motet Ypocrite -- Velut stelle -- T. et gaudebit |
|
|
Conductus. Ave Maria |
|
|
Dic Christi veritas |
|
|
Rege mentem et ordina |
|
|
Vite perdite me legi |
|
|
Veneris prosperis |
|
|
Fourteenth century "Ars nova". Early Ars nova. Motet Aucun qui ne -- Juris -- T. Maria |
|
|
Motet Firmissime -- Adesto -- T. (Alleluya Benedictus) |
|
|
Cum altre ucele |
|
|
Or qua compagni |
|
|
High Ars nova. Amour doi ie servir |
|
|
Don Francesco, Ama donna, chi |
|
|
Don Francesco, Amarsi gli altri |
|
|
Don Francesco, Che pen'e quest' |
|
|
Jacopo da Bologna, Aquil' -- Creatura -- Uccel |
|
|
Ser Lorenzo, Aposte messe veltri |
|
|
Late Ars nova. En attendant d'avoir |
|
|
Motet gratiosus -- Magninimus -- T. (dicitur) |
|
|
Et in terra pax |
|
|
The beginnings. Kyrie Cunctipotens |
|
|
Sancti spiritus assit |
|
|
Verbum bonum |
|
|
14.
|
楽譜
|
by Wolfgang Stockmeier ; [introduction] translated from the German by A.C. Howie
目次情報:
続きを見る
|
Jacobs Heyrath : (1700) |
Johann Kuhnau |
|
Aeolus storming : from the Ouverture in C major |
Georg Philipp Telemann |
|
In the haymaking month of July : from Musical calendar (1748) |
Gregor Joseph Werner |
|
Sonata militare : rappresenta la conquista della Fortezza d'Oczachay |
Ferdinand Kauer |
|
Il terremoto : from the orchestral version of The seven last words of our saviour on the cross (1785) |
Joseph Haydn |
|
Hamlet : symphonic poem for large orchestra (1858) |
Franz Liszt ; arranged by Wolfgang Stockmeier |
|
Lemminkäinen and the maidens of Saari : from Four legends op. 22 (1895) |
Jean Sibelius ; arranged by Wolfgang Stockmeier |
|
Guernica : pianopiece after Pablo Picasso (1937) |
Paul Dessau |
|
Linda maestra! : from Los Caprichos (1963) |
Hans Werner Henze |
|
Divergencies : from the Second organ sonata (Meditations on the book of Jonah) (1966) |
Wolfgang Stockmeier |
|
Sequences on St. John 1. 32 for harp : (1962), I saw the spirit descending from heaven like a dove, and it abode upon him |
Heinz Holliger |
|
Jacobs Heyrath : (1700) |
Johann Kuhnau |
|
Aeolus storming : from the Ouverture in C major |
Georg Philipp Telemann |
|
In the haymaking month of July : from Musical calendar (1748) |
Gregor Joseph Werner |
|
15.
|
楽譜
|
by Kurt von Fischer
目次情報:
続きを見る
|
Elements of variation (varying). Embellished arrangement for instruments. Balata |
F. Landini |
|
Additional part to the cantus firmus. Magnificat sexti toni |
C. Paumann |
|
Diminution. French dance (tourdion) : for guitar (1552) |
|
|
Improvisation on a dance bass. Recercada (1553) |
D. Ortiz |
|
Change of metre. Dance and afterdance from the Clavierbuch der Jungfrau Regina Clara Im Hoff : (1629) |
|
|
Figurative and contrapuntal varying. Choral prelude Ich ruf zu dir, Herr Jesu Christ |
F.W. Zachow |
|
Varied harmonisation of a folksong. Improvisation on a Hungarian folksong |
B. Bartók |
|
Jazz improvisation. Fox-trot The sheik of Araby |
Duke Ellington |
|
Theme with Variations. Pawle's wharfe : (song variations) |
G. Farnaby |
|
Psalm Da Jesus an dem Kreuze stund : choral variations |
S. Scheidt |
|
Variations on Lully's aria Rofilis |
D. Buxtehude |
|
La furstemberg : variations for two German flutes |
M. Blavet |
|
Aria with variations |
G.B. Martini |
|
Arioso per il cembalo e violino |
C.Ph.E. Bach |
|
Variations on the march of the priests from Mozart's Magic flute |
Ch.G. Neefe |
|
3rd movement from String quartet op. 135 |
L.v. Beethoven |
|
3rd movement from Piano sonata op. 14 |
R. Schumann |
|
Finale from the Solo violin sonata op. 31, no. 2 |
P. Hindemith |
|
Mythologies japonaises : (variations on a choral) |
J. Alain |
|
From the variations op. 27 |
A. Webern |
|
Basso ostinato variations. Diferencias de conde claros : for lute (1538) |
L. Narváez |
|
A grownde |
W. Byrd |
|
Gagliard variations on the passamezzo bass for lute |
G.A. Terzi |
|
Variations on the ruggiero bass |
G. Frescobaldi |
|
Passacaglia for violin solo |
H.I.F. Biber |
|
Verse on an ostinatobass from Ode for Queen Mary's birthday : (1689) |
H. Purcell |
|
Chaconne |
G. Böhm |
|
Weinen, Klagen, Sorgen, Zagen : prelude on an ostinato bass after J.S. Bach |
F. Liszt |
|
Ostinato from Kleine Klaviermusik : (1929) |
P. Hindemith |
|
Elements of variation (varying). Embellished arrangement for instruments. Balata |
F. Landini |
|
Additional part to the cantus firmus. Magnificat sexti toni |
C. Paumann |
|
Diminution. French dance (tourdion) : for guitar (1552) |
|
|
16.
|
楽譜
|
Matthew Locke & Christopher Gibbons ; edited by Edward J. Dent
|
17.
|
楽譜
|
Arne, Milton, Dalton ; edited by Julian Herbage
目次情報:
続きを見る
|
Overture |
|
|
Act 1. Song, now phoebus sinketh in the west |
|
|
Song, by dimpl'd brook |
|
|
Duet, from tyrant laws and customs free |
|
|
Song, by the gayly circling glass |
|
|
Dance |
|
|
Song, sweet eccho |
|
|
Song, fly swiftly, ye minutes |
|
|
Chorus, away, away |
|
|
Act 2. Song, Fame's an eccho |
|
|
Song, would you taste the noontide air? |
|
|
Trio, live and love, enjoy the fair |
|
|
Act 3. Song, come, come, bid adieu to fear |
|
|
Recit, how gentle was by Damon's air |
|
|
Ballad, on ev'ry hill in ev'ry grove |
|
|
Recit, love, the greatest bliss below |
|
|
Ballad, the wanton god |
|
|
Recit, from the realms of peace above |
|
|
Song, nor on beds of fanding flow'rs |
|
|
Song, preach me not your musty rules |
|
|
Song, ye fawns, and ye dryads |
|
|
Song, Saburina fair |
|
|
Song, by the rushy-fringed bank |
|
|
Recit, gentle swain, and song, thrice upon thy finger's tip |
|
|
Chorus, taught by virtue |
|
|
Overture |
|
|
Act 1. Song, now phoebus sinketh in the west |
|
|
Song, by dimpl'd brook |
|
|
18.
|
楽譜
|
edited by John Stevens
|
19.
|
楽譜
|
Thomas Tomkins ; edited by Stephen D. Tuttle
目次情報:
続きを見る
|
Prelude |
|
|
Piece of a prelude : July 9, 1647 |
|
|
Clarifica me pater : September 1650 |
|
|
In nomine : January 20-28, 1647 : version I |
|
|
In nomine : January 20, 1647 - August 2, 1650 : version II |
|
|
In nomine : May 1648 |
|
|
In nomine : June 16, 1648 |
|
|
In nomine : October 27, 1648 |
|
|
In nomine : Febrary 1650 : version I |
|
|
In nomine : Febrary 14, 1650 : version II |
|
|
In nomine : June 28, 1652 |
|
|
Miserere : September 15, 1648 |
|
|
Miserere : October 7, 1648 |
|
|
Miserere : May 26, 1651 |
|
|
Miserere : Febrary 3-4, 1652 |
|
|
Miserere |
|
|
Offertory : 1637 |
|
|
Fancy : November 9, 1646 |
|
|
Fancy : July 8, 1647 |
|
|
Voluntary : August 10 - September 10, 1647 |
|
|
Fancy : October 24, 1648 |
|
|
A verse of three parts : August 12, 1650 |
|
|
A short verse |
|
|
Voluntary |
|
|
Fancy |
|
|
A substantial verse maintaining the point |
|
|
Fancy : for two to play |
|
|
Fancy : for viols |
|
|
Ut, re, mi, fa, sol, la : for a beginner |
|
|
Ut, re, mi, fa, sol, la |
|
|
Ut, mi, re |
|
|
Ground |
|
|
Pavan : Earl Stafford : september 29, 1647 : short version |
|
|
Galliard : Earl stafford : short version |
|
|
Pavan : Earl Stafford : October 2, 1647 : long version |
|
|
Galliard : Earl stafford : long version |
|
|
Pavan : April 1650 |
|
|
Galliard : October 1, 1650 |
|
|
Pavan : September 4, 1654 |
|
|
Galliard : September 7, 1654 |
|
|
Pavan of three parts |
|
|
Galliard of three parts |
|
|
Pavan : Sseptember 10, 1647 |
|
|
Pavan : September 14, 1647 |
|
|
A sad pavan : for these distracted times : Fabruary 14, 1649 |
|
|
Pavan : August 20, 1650 |
|
|
Short pavan : July 19, 1654 |
|
|
Pavan |
|
|
Pavan : Lord Canterbury : 1647 |
|
|
The hunting galliard |
|
|
The Lady Folliott's galliard |
|
|
Galliard (by Gibbons?) |
|
|
Fortune my foe : July 4, 1654 |
|
|
Barafostus' dream |
|
|
Robin Hood (Anon: by Morley?) |
|
|
What if a day (Campion, set by Tomkins) |
|
|
Worcester brawls |
|
|
The perpetual round : September 7-8, 1654 |
|
|
Toy : made at Poole Court |
|
|
[On a plainsong] |
|
|
Toy : Mr. Curch |
|
|
Ut, re, mi, fa, sol, la (fragment) |
|
|
Ut, re, mi, fa, sol, la : June 30, 1654 (fragment?) |
|
|
Go from by window (fragment) |
|
|
Bitts or morcells (fragments) |
|
|
[A short verse] for Edward [Thornburgh] |
|
|
Another [short verse] |
|
|
[Voluntary] for Mr Arc[hdeacon] Thornburgh |
|
|
Prelude |
|
|
Piece of a prelude : July 9, 1647 |
|
|
Clarifica me pater : September 1650 |
|
|
20.
|
楽譜
|
Giles & Richard Farnaby ; transcribed and edited by Richard Marlow
目次情報:
続きを見る
|
Prelude |
|
|
Ground |
|
|
Fantasia |
|
|
Pavan |
Robert Johnson ; set by Farnaby |
|
The flat pavan |
John Johnson ; set by Farnaby |
|
Lachrymae pavan |
John Dowland ; set by Farnaby |
|
Pavan |
by Morley? ; set by Farnaby |
|
Walder Earle's pavan |
|
|
Farmer's pavan |
|
|
Galliard |
|
|
Rosseter's galliard |
Rosseter ; set by Farnaby |
|
Alman |
|
|
Alman |
Robert Johnson ; set by Farnaby |
|
Meridian alman |
set by Farnaby |
|
[Alman] for two virginals |
|
|
Tower hill |
|
|
Jigg |
|
|
Toy |
|
|
The old spagnoletta |
|
|
Spagnoletta |
|
|
Mask |
|
|
Mask |
John Coperario ; set by Farnaby |
|
The Lord Zouche's mask |
|
|
Bonny sweet Robin |
|
|
Daphne |
|
|
Mal sims |
|
|
Muscadin or Kempe's morris |
|
|
Why ask you? |
|
|
Woody-cock |
|
|
Loath to depart |
|
|
Quodling's delight |
|
|
Tell me daphne |
|
|
Put up thy dagger Jemy |
|
|
The New Sa-hoo |
|
|
Paul's wharf |
|
|
Rosasolis |
|
|
Up tails all |
|
|
The King's hunt |
|
|
Giles Farnaby's dream |
|
|
His rest |
|
|
Farnaby's conceit |
|
|
His humour |
|
|
Duo |
by Richard Farnaby |
|
Nobody's jigg or Fleet street |
by Richard Farnaby |
|
Fain would I wed |
by Richard Farnaby |
|
Hanskin |
by Richard Farnaby |
|
21.
|
楽譜
|
John Jenkins ; transcribed and edited by Andrew Ashbee
目次情報:
続きを見る
|
Air in G minor |
|
|
Air in D minor |
|
|
Pavan in F major |
|
|
Air in F major |
|
|
Air in C major |
|
|
Air [fantasia] in C major |
|
|
Air in E minor |
|
|
Air in D major |
|
|
"Newark siege" in D major |
|
|
Galliard in D major |
|
|
Air in A minor |
|
|
Fantasia in A minor |
|
|
Pavan in A minor |
|
|
Pavan in B♭ major |
|
|
Air in B♭ major |
|
|
Fantasia in B♭ major |
|
|
Suite no. 1 in G minor |
|
|
Suite no. 2 in A minor |
|
|
Suite no. 3 in D minor |
|
|
Suite no. 4 in F major |
|
|
Suite no. 5 in B♭ major |
|
|
Suite no. 6 in F major |
|
|
Suite no. 7 in E minor |
|
|
Suite no. 8 in D major |
|
|
Fantasia no. 7 in C minor |
|
|
Fantasia no. 9 in C minor |
|
|
Fantasia no. 12 in D major |
|
|
Fantasia no. 15 in C major |
|
|
Fantasia no. 16 in D minor |
|
|
Alman [4] in C major |
|
|
[Alman] [7] in C minor |
|
|
Alman [10] in D major |
|
|
Alman [11] in D major |
|
|
Air [25] in G major |
|
|
Alman [31] in G minor |
|
|
Corant [38] in C major |
|
|
Corant [39] in C minor |
|
|
Corant [41] in D minor |
|
|
Pavan [46] in A minor |
|
|
Pavan [47] in D minor |
|
|
Pavan [51] in G minor |
|
|
Air in G minor |
|
|
Air in D minor |
|
|
Pavan in F major |
|
|
22.
|
楽譜
|
William Boyce ; edited by Gerald Finzi
目次情報:
続きを見る
|
Overture, Ode for his majesty's birthday, 1769 |
|
|
Overture, Ode for the new year, 1770 |
|
|
Overture, Ode for his majesty's birthday, 1770 |
|
|
Overture, Ode for the new year, 1771 |
|
|
Overture, Ode for his majesty's birthday, 1771 |
|
|
Overture, Ode for the new year, 1772 |
|
|
Overture, Ode for his majesty's birthday, 1772 |
|
|
Overture, Ode for his majesty's birthday, 1775 |
|
|
Overture, Ode for the new year, 1777 |
|
|
Overture, Ode for his majesty's birthday, 1755, and new year, 1779 |
|
|
Overture, Ode for the new year, 1758 |
|
|
Overture, Ode for his majesty's birthday, 1758 |
|
|
Overture, Ode for the new year, 1760 |
|
|
Overture, Ode for his majesty's birthday, 1768 |
|
|
Overture, Peleus & thetis |
|
|
Overture, Part II, St. Cecilia Ode (Lockman) |
|
|
Overture, Ode for St. Cecilia's day (Vidal) |
|
|
Symphony, "The souls of the righteous" |
|
|
Overture, Ode for his majesty's birthday, 1769 |
|
|
Overture, Ode for the new year, 1770 |
|
|
Overture, Ode for his majesty's birthday, 1770 |
|
|
23.
|
楽譜
|
edited by Kenneth Elliott ; song-texts edited by Helena Mennie Shire
目次情報:
続きを見る
|
Mass à 3 |
|
|
Mass Rex virginum à 4 |
|
|
Mass L'homme armé à 4 |
Robert Carver |
|
Mass Felix namque à 6 |
|
|
O bone jesu à 19 |
Robert Carver |
|
Descendi in hortum meum (from The song of solomon) à 4 |
|
|
Deus misereatur nostri (Psalm 67) à 4 |
Robert Johnson |
|
Si quis diligit me à 4 or à 5 |
David Peebles-Francy Heagy |
|
Quam multi, domine (Psalm 3) à 4 |
David Peebles |
|
Blessed art thou (Psalm 128) à 5 |
Andro Blackhall |
|
Judge and reverge my cause (Psalm 43) à 5 |
Andro Blackhall |
|
Te deum (We praise thee, O God) à 4 |
Andro Kemp |
|
Our father, whiche in heaven art (the Lord's prayer) à 4 |
John Angus |
|
All my belief (the xii articles of the christian fayth) à 4 |
John Angus |
|
Three setting of psalm 1 (The man is blest) |
David Peebles |
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Three setting of psalm 18 (O God, ny strength and fortitude) |
David Peebles , [Andro Blackhall?] |
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Three setting of psalm 113 (Ye children, which do seave the Lord) |
David Peebles , Andro Kemp |
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Three setting of psalm 124 (Now Israel may say) |
David Peebles , Andro Kemp |
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The gowans are gay |
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In a garden so green |
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My heartly service (the pleugh song) |
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Our father God celestial (the Lord's prayer) |
[Pierre Cadéac] |
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Com palefaced death |
[Robert] Johnson |
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Woe worth the tyme |
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Alas that same sueit face |
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O lusty May |
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All sons of Adam (the Christmas medley) |
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O God abufe |
John Fethy |
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The time of youth |
[John Fethy?] |
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Support your servand |
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Richt soir opprest |
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O mortal man |
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Departe, departe (the lament of the maister of Erskyn) and You lovers all |
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How suld my febill body fure? |
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Defiled is my name |
[Robert] Johnson |
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Absent I am |
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Remember me, my deir |
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The flaming fire |
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Nou let us sing |
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Adeu, O desie of delyt and Declair ye banks of Helicon |
Andro Blackhall |
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Before the Greeks durst enterpryse or Whenas the greeks |
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My bailful briest |
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No wonder is suppose |
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In throu the windows of myn ees and Psalm 2 |
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Lyk as the dum solsequium |
[La Grotte, set by?] |
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Evin dead behold I breathe |
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What mightie motion |
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Come, my children dere |
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Since that my siches |
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Joy to the person of my love |
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Care away go thou from me |
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Where art thou, hope? |
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Doune in yone gardeine (Christ in gethsemane) |
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Let not, I say, the sluggish sleep |
[Andro Melvill?] |
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Come love, let's walk and The thoughts of men |
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Walking I chanc'd into a shade |
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When chill cold age |
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Begone, sweit night |
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Then wilt thou goe |
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Balulalow (ane sang of the birth of Christ and lady Bothwell's lament) |
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Yee Gods of love |
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Hollow my fancie |
[set by] Mr Beck |
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O're hills, o're mountains (fancy free) |
[set by] Mr Beck |
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One yeir begins (lady Lothian's lilt) |
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Ane exempill of tripla à 4 |
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In nomine à 5 |
[Robert] Johnson |
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Prince Edward's paven à 4 |
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The Queine of Ingland's paven à 4 |
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Paven à 4 |
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[Gilliard] à 4 |
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Lytill blak à 3 |
[John Black] |
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Ane lessone upon the first psalme à 4 |
[John Black?] |
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Ane lessone upon the secund psalme à 4 |
[John Black?] |
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My Lord of Marche paven à 4 |
James Lauder |
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Ane Ground à 3 |
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Wilson's fantasie à 4 |
[Wilson?] |
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Mass à 3 |
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Mass Rex virginum à 4 |
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Mass L'homme armé à 4 |
Robert Carver |
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24.
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楽譜
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William Byrd ; transcribed and edited by Alan Brown
目次情報:
続きを見る
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[v.] 1. Pieces with "G" final (minor). Prelude |
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Passamezzo pavan |
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Passamezzo galliard |
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Pavan: Sir William Petre |
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Galliard |
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Pavan |
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Pavan: Delight |
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Fortune |
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Rowland or Lord Willoughby's Welcome Home |
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Walsingham |
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Ground |
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The queen's alman |
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Alman |
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Pieces with "A" final (minor). Prelude |
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Fantasia |
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Pavan: The earl of Salisbury |
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Second galliard |
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The galliard jig |
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Qui passe: for my lady Nevell |
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Hugh Ashton's ground or tregian's ground |
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The first french coranto |
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The second french coranto |
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The third french coranto |
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Jig |
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Pieces with "B" flat final (major). Pavan |
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Pieces with "C" final (major & minor). Prelude |
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Verse |
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Pavan: Kinborough good |
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Galliard: mistress Mary Brownlow |
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Callino casturame |
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The carman's whistle |
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Wilson's wild |
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The bells |
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Hornpipe |
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The Hunt's up (I) |
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The Hunt's up (II) |
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Monsieur'alman |
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Coranto |
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[v.] 2. Pieces with "D" final (minor). Fantasia |
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Clarifica me, pater (I) |
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Clarifica me, pater (II) |
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Clarifica me, pater (III) |
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Gloria tibi trinitas |
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In nomine |
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Lachrymae pavan |
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All in a garden green |
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My lady Nevell's ground |
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Pieces with "F" final (major). Ut re mi fa sol la |
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Pavan: bray |
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Pavan: Ph. tregian |
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Pieces with "G" final (major). Voluntary: for my lady Nevell |
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Ut re mi fa sol la |
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Ut mi re |
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Miserere (I) |
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Miserere (II) |
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Salvator Mundi (I) |
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Salvator Mundi (II) |
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Quadran pavan |
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Quadran galliard |
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Pavan: Canon 2 in 1 |
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Lady Monteagle's pavan |
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The ghost |
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Go from my window |
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Gypsies' round |
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John come kiss me now |
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The maiden's song |
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O mistress mine |
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Sellinger's round |
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The woods so wild |
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Monsieur's alman (I) |
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Monsieur's alman (II) |
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Lavolta: lady Morley |
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Lavolta |
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The barley-break |
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The march before the battle: or, The earl of Oxford's march |
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The battle |
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The galliard for the victory |
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[v.] 1. Pieces with "G" final (minor). Prelude |
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Passamezzo pavan |
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Passamezzo galliard |
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