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v. 1. Dalle più alte sfere : solo madrigal from the 1st intermezzo of "La pellegrina" : Florence 1589 |
Antonio Archilei |
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Per quel vago boschetto : messenger scene from "L'Euridice" : Florence 1600 |
Giulio Caccini |
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Piange ninfe : lament from "La Dafne" : Mantua 1608 |
Marco da Gagliano |
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Possente spirto : Orpheus' lament from "L'Orfeo" : Mantua 1607 |
Claudio Monteverdi |
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Partiti, move il piè : Ulysses and the suitors from "Il ritorno d'Ulisse in patria" : Venice 1641 |
Claudio Monteverdi |
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O morte gradita : Alessio's aria from "Il San Alessio" : Rome 1632 |
Stefano Landi |
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Düstere Wolken : thunderstorm scene from "Seelewig" : Nuremberg 1644 |
Sigmund Theophil Staden |
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Son quì, che, che, chiedi? : stutter scene from "Il Giasone" : Venice 1649 |
Francesco Cavalli |
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Sposa, figlio, hor è tempo : death scene from "Il Pompeo Magno" : Venice 1666 |
Francesco Cavalli |
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Ah quanto è vero : Venus' aria from "Il pomo d'oro" : Vienna 1668 |
Marc' Antonio Cesti |
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S'un Ercole amante : Ottone's aria from "L'Adelaide" : Venice 1672 |
Antonio Sartorio |
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Giosci alma mia : Gisilla's aria from "L'Adelaide" : Venice 1672 |
Antonio Sartorio |
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Voi ninfe d'amore : Fama's aria from "Antonino e Pompejano" : Venice 1677 |
Antonio Sartorio |
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Bei fioretti : Alinda's aria from "Il Candaule" : Venice 1679 |
Pietro Andrea Ziani |
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Si bella bocca : Alinda's and Candaule's aria from "Il Candaule" : Venice 1679 |
Pietro Andrea Ziani |
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Che ti feci : Candaule's aria from "Il Candaule" : Venice 1679 |
Pietro Andrea Ziani |
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Lasciami gelosia : Claudio's aria from "Messalina" : Venice 1680 |
Carlo Pallavicini |
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Voglio goder ogn'hora : Messalina's aria from "Messalina" : Venice 1680 |
Carlo Pallavicini |
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Vitaliano, il di cui nome vola : farewell scene from "Il Giustino" : Venice 1683 |
Giovanni Legrenzi |
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Komm! ach komm! O süßer Tod : Dorisbe's aria from "Orontes" : Hamburg 1678 |
Johann Theile |
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Was ist doch das menschliche Leben : from "Cara Mustapha" : Hamburg 1686 |
Johann Wolfgang Franck |
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Kanstu dieses Unrecht sehen : Bassa Ibrahim's aria from "Cara Mustapha" : Hamburg 1686 |
Johann Wolfgang Franck |
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Wiltu der Gesundheit pflegen : Barac's aria from "Cara Mustapha" : Hamburg 1686 |
Johann Wolfgang Franck |
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Bleibt immer der Schmerze, mein Herze, bei dir? : Murat's aria from "Bajazeth und Tamerlan" : Hamburg 1690 |
Johann Philipp Foertsch |
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Da mein Leben mir entweichet : Daliso's aria from "Erindo" : Hamburg 1693 |
Johann Sigismund Kusser |
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Dans le piège fatal : slumber scene from "Armide" : Paris 1686 |
Jean-Baptist Lully |
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Gott ist König auf der Welt : angels' chorus from "Nebukadnezar" : Zittau 1684 |
Johann Philipp Krieger |
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Die regia salma : ghost scene from "Servio Tullio" : Munich 1685 |
Agostino Steffani |
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Le saette del Tonante : Alarico's aria from "Alarico" : Munich 1687 |
Agostino Steffani |
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Per vostro onor un fulmine vibrate : Rosaura's aria from "La Rosaura" : Rome 1690 |
Alessandro Scarlatti |
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Chi ben ama : Termanzia's aria from "Onorio in Roma" : Venice 1692 |
Carlo Francesco Pollaroli |
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In quel piè legato ho il core : Placidia's aria from "Onorio in Roma" : Venice 1692 |
Carlo Francesco Pollaroli |
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Vacillante è il regno mio : Onorio's aria from "Onorio in Roma" : Venice 1692 |
Carlo Francesco Pollaroli |
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Suivons l'aimable paix : Termanzia's aria from "Onorio in Roma" : Venice 1692 |
Carlo Francesco Pollaroli |
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Usignoli, che cantate per amor : aria (duet) Termanzio-Onorio from "Onorio in Roma" : Venice 1692 |
Carlo Francesco Pollaroli |
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v. 2. Appearance of Venus : from Hésione (Paris 1701) |
André Campra |
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Croesus' aria : from Croesus : (Hamburg 1710) |
Reinhard Keiser |
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Silvamire's aria : from L'inganno fedele : (Hamburg 1714) |
Reinhard Keiser |
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Emma's aria : from Emma und Eginhard : (Hamburg 1728) |
Georg Philipp Telemann |
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Almirena's aria : from Rinaldo : (London 1711) |
George Frederick Handel |
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Gualtiero's aria : from La Griselda : (London 1722) |
Giovanni Battista Bononcini |
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Arianna's recitative and aria : from Il Giustino : (Rome 1724) |
Antonio Vivaldi |
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Pimpinone's aria : from Pimpinone : (Hamburg 1725) |
Georg Philipp Telemann |
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Claudius' aria : from Ludovicus Pius : (Brunswick 1726) |
Georg Caspar Schürmann |
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The beggar's opera : (London 1728). Rinaldo march |
Johann Christoph Pepusch |
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Sir John's air : from The devil to pay : (London 1731) |
Mr. Seedo |
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Ezio's recitative : from Ezio : (Naples 1730) |
Johann Adolf Hasse |
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Les Incas de Pérou : from Indes Galantes : (Paris 1735). Song to the sun |
Jean-Philippe Rameau |
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Andromaca's aria : from L'Andromaca : (Naples 1742) |
Leonardo Leo |
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Leucippo's aria : from Leucippo : (Dresden 1747) |
Johann Adolf Hasse |
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Montezuma's aria : from Montezuma : (Berlin 1755) |
Carl Heinrich Graun |
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Orfeo's aria : from Orfeo ed Euridice : (Vienna 1762) |
Christoph Willibald Gluck |
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Annette's ariette : from Annette et Lubin : (Paris 1762) |
by Marie-Justine and Charles-Simon Favart ; music by Benjamin de la Borde |
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Lieschen's song : from Die Liebe auf dem Lande : (Leipzig 1768) |
Johann Adam Hiller |
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Tagliaferro's aria : from La Buona Figluola : (Rome 1760) |
Nicola Piccinni |
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Fetonte's accompanied recitative and aria : from Fetonte : (Ludwigsburg 1768) |
Niccolò Jommelli |
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Louise's air : from Le déserteur : (Paris 1769) |
Pierre-Alexandre Monsigny |
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Aspasia's accompanied recitative and aria : from Mitridate, Rè di Ponto : (Milan 1770) |
Wolfgang Amadeus Mozart |
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Recitative of Alceste and Admetus, and Alceste's aria : from Alceste : (Wermar 1773) |
Anton Schweitzer |
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Medea : (Leipzig 1775) |
Georg Benda |
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Sophie's song : from Die Bergknappen : (Vienna 1778) |
Ignaz Umlauff |
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v. 3. La vestale : Paris 1807. Julia's arioso and recitative from act II |
Gasparo Spontini |
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La muette de Portici : Paris 1828. Scene and beginning of the finale from act II |
Daniel François Esprit Auber |
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Les Huguenots : Paris 1836. Excerpt from the finale of act IV |
Giacomo Meyerbeer |
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Joseph : Paris 1807. Joseph's aria : act I, scene 1 |
Etienne Nicolas Méhul |
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Fra Diavolo : Paris 1830. Scene with Zerline's prayer : act II, scene 10 |
Daniel François Esprit Auber |
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Dinorah (La pardon de Ploermel) : Paris 1859. Invocation scene from act I |
Giacomo Meyerbeer |
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Philémon et Baucis : Paris 1860. Beginning of act I, duet for Philémon and Baucis |
Charles Gounod |
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L'Italiana in Algeri : Venice 1813. Isabella's aria, act II |
Giaocchino Rossini |
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La sonnambula : Milan 1831. Scene and aria from act II |
Vincenzo Bellini |
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Norma : Milan 1831. Norma's prayer : from act I |
Vincenzo Bellini |
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La forza del destino : St. Petersburg 1862. Leonore-Father Guardian scene : from act II |
Giuseppe Verdi |
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La bohème : Turin 1896. Musette's waltz : from act II |
Gizcomo Puccini |
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Faust : Prague 1816. Röschen's cavatina |
Louis Spohr |
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Faust : Prague 1816. Mephisto's aria |
Louis Spohr |
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Undine : Berlin 1816. Undine's farewell : from act III |
Ernst Theodor Amadeus Hoffmann |
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Euryanthe : Vienna 1823. Lysiart's scene and aria, beginning of act II |
Carl Maria von Weber |
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Hans Sachs : Leipzig 1840. Cordula's aria : from act III |
Albert Lortzing |
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Tristan and Isolde : Munich 1865. Death of Tristan : from act III |
Richard Wagner |
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Halka : Warsaw 1858. Jontek's song : from act IV |
Stanislav Moniuszko |
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Dalibor : Prague 1868. Duet for Milada and Dalibor : from act II |
Bedřich Smetana |
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Prince Igor : St. Petersburg 1890. Chorus of the Polovtsian maidens : from act II |
Alexander Borodin |
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Sadko : Moscow 1898. Song of the Indian merchant : from the 4th tableau |
Nicolai Rimsky-Korsakov |
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v. 1. Dalle più alte sfere : solo madrigal from the 1st intermezzo of "La pellegrina" : Florence 1589 |
Antonio Archilei |
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Per quel vago boschetto : messenger scene from "L'Euridice" : Florence 1600 |
Giulio Caccini |
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Piange ninfe : lament from "La Dafne" : Mantua 1608 |
Marco da Gagliano |
楽譜
