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1.

楽譜
楽譜
1. The classics
by Kurt Stephenson ; [translated from the German by Robert Kolben]
出版情報: Köln : Arno Volk Verlag , New York : Sole distributors for the U.S.A., Leeds Music Corp., c1962
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 6
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Sonata in C minor Domenico Scarlatti
Sonata notturna in E major for 2 violins and b.c., 1st mov. Giovanni Battista Sammartini
Tafelmusik : in B minor for flute and b.c., last mov. Georg Philipp Telemann
Flute duet in A minor, 2nd mov. Johann Joachim Quantz
Symphony in D major, menuetto Georg Matthias Monn
Symphony in E flat major, 1st mov. Johann Wenzel Anton Stamitz
Sonata in F major Carl Philipp Emanuel Bach
String trio in E flat major for 2 violins and violoncello, 1st mov. Joseph Haydn
String quartet in C major op. 20 no. 2. finale: fuga a quattro soggetti Joseph Haydn
Sonata in E flat major, 2nd mov. in E major Joseph Haydn
Symphony in G minor K.V. 183. menuetto Wolfgang Amadeus Mozart
Violin concerto in D major K.V. 211. rondo Wolfgang Amadeus Mozart
String quartet in G major K.V. 387. finale Wolfgang Amadeus Mozart
Rondo in C major Ludwig van Beethoven
String quartet in C sharp minor op. 131, 1st mov. Ludwig van Beethoven
Sonata in C minor Domenico Scarlatti
Sonata notturna in E major for 2 violins and b.c., 1st mov. Giovanni Battista Sammartini
Tafelmusik : in B minor for flute and b.c., last mov. Georg Philipp Telemann
2.

楽譜
楽譜
2. The oratorio. .
by Günther Massenkeil ; [prefatory matter] translated from the German by A.C. Howie
出版情報: Cologne : A. Volk Verlag , New York : Sole distributors for the U.S.A., Leeds Music Corp., 1970
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 37
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Lauda Anima e corpo : (1577) Anon.
From Rappresentazione di anima e di corpo (1600) Emilio de' Cavalieri
Dialogo (1611) Biagio Tomasi
From Repraesentatio harmonica conceptionis et nativitatis S. Joannis Baptistae (c. 1618) Daniel Bollius
From Dialogo (The offering of Isaac) : (1619) Giovanni Francesco Anerio
Recitative and aria ("Romanesca") from S. Tommaso (1640) Marco Marazzoli
Chorus of Israelites, dialogue between Jephthah and his daughter, and final-chorus : from Jephte (c. 1645) Giacomo Carissimi
From Vom reichen Manne und Lazaro : (1649) Andreas Fromm
From Adam : (c. 1650) Bonifazio Graziani
Quartet of the elements from the Sepolcro : Il lutto dell'universo : (1668) Kaiser Leopold I
Herod's aria : from S. Giovanni Battista (1675) Alessandro Stradella
Trio Ismaele-Agar-Abramo : from Agar et Ismaele esiliati (1683) Alessandro Scarlatti
From Le reniement de St-Pierre : (c. 1690) Marc-Antoine Charpentier
Dialogue of the angel and the shepherds : from Oratorio de Noël (1701) Jacques-François Lochon
St. John's aria : from La resurrezione (1708) G.F. Händel
St. Petronio's aria : from S. Tetronio (1720) Giacomo Antonio Perti
Introduction and recitative albin and guide from Die Pilgrime auf Golgatha : (1742) Johann Adolf Hasse
Recitative and chorale from Der Tod Jesu : (1755) Carl Heinrich Graun
Dialogue of Mary and Martha : from Die Auferweckung Lazarus (1773) Johann Christoph Friedrich Bach
Recitative and shepherds' march from La nativité : (1774) François-Joseph Gossec
Recitative of Jesus and chorus of warriors : from Christus am Ölberge, op. 85 (1803) Ludwig van Beethoven
Raphael's aria : from Das Weltgericht (1819) Friedrich Schneider
Chorus from Premier oratorio pour le couronnement : (1825?) Jean François Le Sueur
Peter's aria and Mary's recitative : from Des Heilands letzte Stunden (1835) Louis Spohr
Chorale and St. Paul's aria : from Paulus, op. 36 (1836) Felix Mendelssohn Bartholdy
Tenor aria with chorus from Oratorio de Noël : op. 12 (1869) Camille Saint-Saëns
Baritone solo with chorus from Christus : (1872) Franz Liszt
Song of Rhapsodes : from Odysseus, op. 41 (1872) Max Bruch
Recitation and angels' chorus : from Rédemption (1873) César Franck
Narrator's aria from Ève : (1875) Jules Massenet
Chorale and death of Jesus : from La rédemption (1882) Charles Gounod
Ludmila's recitative and Ivan's aria : from Svatá Ludmila, op. 71 (1886) Antonín Dvořák
Gerontius' song : from The dream of Gerontius (1900) Edward Elgar
Lauda Anima e corpo : (1577) Anon.
From Rappresentazione di anima e di corpo (1600) Emilio de' Cavalieri
Dialogo (1611) Biagio Tomasi
3.

楽譜
楽譜
3. The music of the figured bass era
by Günter Hausswald ; [prefatory matter] translated from the German by A.C. Howie
出版情報: Cologne : Arno Volk Verlag , New York : Sole distributors for the U.S.A., MCA Music, c1974
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 45
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L'Euridice : prologo, 1600 Jacopo Peri
L'Euridice : prologo, 1600 Giulio Caccini
Rappresentazione di anima e di corpo : scene, 1600 Emilio de' Cavalieri
Le nuove musiche : aria, 1601 Giulio Caccini
Concerto ecclesiastico : fratres ego enim accepi, 1602 Lodovico Viadana
Dafne : prologo, 1607 Marco da Gagliano
L'Orfeo : moresca, 1607 Claudio Monteverdi
Lamento d'Arianna : lamento, 1608 Claudio Monteverdi
Symphoniae sacrae I. Paratum cor meum : op. 6, SWV 257, 1629 Heinrich Schütz
Kleines geistliches Konzert : "Eile, mich, Gott zu erretten", SWV 282, 1636 Heinrich Schütz
Musica boscareccia : "Frau Nachtigall mit süßem Schall", 1621 Johann Hermann Schein
Sant' Alessio : sinfonia per introduzione de prologo, 1632 Steffano Landi
Aria "Laus tantae Nymphae nescit habere modum" : 1640 Heinrich Albert
Florilegium secundum : overture, 1698 Georg Muffat
Alarico : Lidoro's recitative, 1687 Agostino Steffani
Placidissime catene : c. 1720 Agostino Steffani
Sonata da chiesa : op. 1 no. 1, 1683 Arcangelo Corelli
Sonata da camera op. 4 no. 3, 1694 Arcangelo Corelli
Harmonische Freude harmonischer Freunde : "Dem Geld wird all's zu teil, nur daß die Zeit nicht feil", 1770 Philipp Heinrich Erlebach
Costanza e fortezza : 1723 Johann Joseph Fux
Sonata, c. 1700 Tommaso Albinoni
L'inganno fedele. Polidor's aria, 1714 Reinhard Keiser
Concerto da chiesa : op. 2 no. 5, between 1712 and 1714 Evaristo Felice dall'Abaco
Sonata da chiesa : op. 3 no. 2, between 1712 and 1715 Evaristo Felice dall'Abaco
Pimpinone. Vespetta's aria, 1725 Georg Philipp Telemann
Cantata, Mia climene adorata : between 1710 and 1716 Johann David Heinichen
Cantata, BWV 144, between 1723 and 1727 Johann Sebastian Bach
Der Geist hilft unser Schwachheit auf : BWV 226a, 1729 Johann Sebastian Bach
Musical songbook, BWV 439-441, 1736 Johann Sebastian Bach
Sonata, BWV 1023, c. 1720 Johann Sebastian Bach
Sonata, BWV 1014, c. 1720 Johann Sebastian Bach
Water music : overture, 1715/16 George Frederick Handel
Concerto, c. 1720 Johann Georg Pisendel
Sonata op. 1 no. 5, 1722 Johann Adam Birchenstock
Sonata, c. 1720 Gottfried Heinrich Stölzel
Arminio. 1. act, 1. scene, 1745 Johann Adolf Hasse
Sonata op. 4 no. 2, c. 1733 Jean Joseph Mondonville
Sinfonia a 4, c. 1760 Franz Tuma
Singende Muse an der Pleiße : 1736 Johannes Sigismund Scholze
Artaserse : sinfonia, 1. part, 1749 Nicolò Jommelli
Paride ed Elena : overture, 1770 Christoph Willibald Gluck
Sinfonia a 6 op. 8 no. 5, 1763 Johann Stamitz
Sonata, KV 212, 1775 Wolfgang Amadeus Mozart
L'Euridice : prologo, 1600 Jacopo Peri
L'Euridice : prologo, 1600 Giulio Caccini
Rappresentazione di anima e di corpo : scene, 1600 Emilio de' Cavalieri
4.

楽譜
楽譜
4. The character piece
by Willy Kahl
出版情報: Köln : Arno Volk Verlag , New York : Sole distributors for the U.S.A., Leeds Music Corp., c1961
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 8
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Lamento di Tristano : estampie for viella Anonymous
Carmen in re for string quartet Ludwig Senfl
Der ratten schwantz : carmen for three instruments Anonymous
Carmen magistri Pauli : for organ Paul Hofhaimer
Carmen in sol for clavichord Johann Kotter
Two pieces for harpsichord (virginal) or clavichord Thomas Mulliner. Since thou art false to me
When shall my sorroful sighing
Three pieces for lute Denis Gaultier. Pavane ou tombeau de Monsieur Raquette
Courante dite la mélancolique
Allemande dite l'héroique
Lamentation faite sur la mort très douloureuse de Sa Majesté Impériale Ferdinand le troisième : for harpsichord Johann Jakob
Durch Adams Fall ist ganz verderbt : chorale prelude for organ Johann Sebastian Bach
Prelude for harpsichord Johann Sebastian Bach
Les langueurs tendres : for harpsichord François Couperin
Two pieces for clavichord Carl Philipp Emanuel Bach. Les langueurs tendres
Abschied vom Silbermannschen Clavier in einem Rondeau
Rondo, after a poem by Petrarch Johann Friedrich Reichardt
Three pieces for piano, four hands Daniel Gottlob Türk. Sie war so lieblich, war so gut, so himmlisch wie ein Engel
Denn ach! Wir irrten kummervoll umher
Ein Traum aus bessrer Zeit! So süß und auch so bitter
Nachruf an Schubert in Trauertönen am Pianoforte Anselm Hüttenbrenner
Minnelied for piano Wilhelm Taubert
Two pieces for piano Stephen Heller. From "Wanderstunden"
Prelude
Abendlied, for piano Adolf Jensen
Two pieces in canonic form for piano Joseph Rheinberger. Klage
Tröstung
Two pieces for piano Franz Liszt. Sonetto 123 del Petrarca
Consolation
Träumerei : for piano Richard Strauss
Mummenschanz : for piano Joseph Haas
Two pieces for piano, four hands Georges Bizet. La poupée : berceuse
Petit mari, petite femme
Elegy for piano Emil Sjögren
Three pieces from "Stimmungen, Eindrücke und Erinnerungen" : for piano Zdenko Fibich
Lamento di Tristano : estampie for viella Anonymous
Carmen in re for string quartet Ludwig Senfl
Der ratten schwantz : carmen for three instruments Anonymous
5.

楽譜
楽譜
5. Original vocal improvisations : from the 16th-18th centuries
by Hellmuth Christian Wolff ; [introduction] translated from the German by A.C. Howie
出版情報: Cologne : Arno Volk Verlag , New York : Sole distributors for the U.S.A., MCA Music, c1972
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 41
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Chanson "Languir me fais" : (1528), mit den Veranderungen von Adrianus Petit Coclico (1552) Claudin de Sermisy
Chanson "C'est à grant tort" : (1529), mit den Verzierungen von Adrianus Petit Coclico (1552) Claudin de Sermisy
Madrigal "Beato me direi" I/II : (Petrarca) (1569), mit verziertem Sopran von Girolamo dalla Casa (1584) Cipriano de Rore
Canzone "Alla dolc' ombra" I/VI : (Petrarca) (1550), mit Verzierungen von Girolamo dalla Casa (1584) Cipriano de Rore
Madrigal "Io son ferito, ahi lasso" : (1561), mit den Verzierungen von Giovanni B. Bovicelli (1594) und Motettenfassung "Ave verum corpus", mit Verzierungen von Palestrina Pierluigi da Palestrina
Drei geistliche Motetten (1634), mit den unverzierten Fassungen von Schonsleder (1631) und von J.A. Herbst (1642 und 1653) Ignazio Donati. O Maria, Dei genitrix
Inclina Mater, misericordia aures tuae
Ego dormio et cor meum vigilat
Vier "Airs" (1668), mit eigenen Veränderungen der zweiten Strophen, für Sopran und Basso continuo (Laute) Bénigne de Bacilly. Puisque Phillis est infidèle
Petite abeille
Vous ne pouvez, Iris
Vous savez donner de l'amour
Aus der Oper "Rinaldo" (1711) : Arie für Alt, Streicher und Basso continuo, mit den Gesangsverzierungen rekonstruiert nach der Cembalofassung des W. Babell Georg Friedrich Händel
Aus der Oper "Ottone" (1723) : drei Arien der Teofane für Alt und Orchester mit Basso continuo, mit den Verzierungen von Gaetano Guadagni (ca. 1751) Georg Friedrich Händel. Affanni del pensier
Alla fama dimmi il vero
Benche mi sia crudele
Aus der Kantate no. 32 "Der Gerechte muß viel leiden" (1720) : Arie für Sopran und Orchester mit Basso continuo, mit den Originalverzierungen Graupners Christoph Graupner
Aus der Oper "Cleofide" (1731) : Arie der Cleofide für Sopran, Streicher und Basso continuo, mit den Gesangsverzierungen von Faustina Hasse, Friedrich II. von Preußen Johann Adolf Hasse
Lied aus der Oper "Die verkehrte Welt" (1728), mit "komischen Veränderungen" von Telemann Georg Philipp Telemann
Chanson "Languir me fais" : (1528), mit den Veranderungen von Adrianus Petit Coclico (1552) Claudin de Sermisy
Chanson "C'est à grant tort" : (1529), mit den Verzierungen von Adrianus Petit Coclico (1552) Claudin de Sermisy
Madrigal "Beato me direi" I/II : (Petrarca) (1569), mit verziertem Sopran von Girolamo dalla Casa (1584) Cipriano de Rore
6.

楽譜
楽譜
6. The opera (1 : 17th century ; 2 : 18th century ; 3 : 19th century)
by Hellmuth Christian Wolff ; translated from the German by Robert Kolben
出版情報: Cologne : Arno Volk Verlag , New York : Sole distributors for the U.S.A., MCA Music, c1971-c1975
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 38, 39, 40
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v. 1. Dalle più alte sfere : solo madrigal from the 1st intermezzo of "La pellegrina" : Florence 1589 Antonio Archilei
Per quel vago boschetto : messenger scene from "L'Euridice" : Florence 1600 Giulio Caccini
Piange ninfe : lament from "La Dafne" : Mantua 1608 Marco da Gagliano
Possente spirto : Orpheus' lament from "L'Orfeo" : Mantua 1607 Claudio Monteverdi
Partiti, move il piè : Ulysses and the suitors from "Il ritorno d'Ulisse in patria" : Venice 1641 Claudio Monteverdi
O morte gradita : Alessio's aria from "Il San Alessio" : Rome 1632 Stefano Landi
Düstere Wolken : thunderstorm scene from "Seelewig" : Nuremberg 1644 Sigmund Theophil Staden
Son quì, che, che, chiedi? : stutter scene from "Il Giasone" : Venice 1649 Francesco Cavalli
Sposa, figlio, hor è tempo : death scene from "Il Pompeo Magno" : Venice 1666 Francesco Cavalli
Ah quanto è vero : Venus' aria from "Il pomo d'oro" : Vienna 1668 Marc' Antonio Cesti
S'un Ercole amante : Ottone's aria from "L'Adelaide" : Venice 1672 Antonio Sartorio
Giosci alma mia : Gisilla's aria from "L'Adelaide" : Venice 1672 Antonio Sartorio
Voi ninfe d'amore : Fama's aria from "Antonino e Pompejano" : Venice 1677 Antonio Sartorio
Bei fioretti : Alinda's aria from "Il Candaule" : Venice 1679 Pietro Andrea Ziani
Si bella bocca : Alinda's and Candaule's aria from "Il Candaule" : Venice 1679 Pietro Andrea Ziani
Che ti feci : Candaule's aria from "Il Candaule" : Venice 1679 Pietro Andrea Ziani
Lasciami gelosia : Claudio's aria from "Messalina" : Venice 1680 Carlo Pallavicini
Voglio goder ogn'hora : Messalina's aria from "Messalina" : Venice 1680 Carlo Pallavicini
Vitaliano, il di cui nome vola : farewell scene from "Il Giustino" : Venice 1683 Giovanni Legrenzi
Komm! ach komm! O süßer Tod : Dorisbe's aria from "Orontes" : Hamburg 1678 Johann Theile
Was ist doch das menschliche Leben : from "Cara Mustapha" : Hamburg 1686 Johann Wolfgang Franck
Kanstu dieses Unrecht sehen : Bassa Ibrahim's aria from "Cara Mustapha" : Hamburg 1686 Johann Wolfgang Franck
Wiltu der Gesundheit pflegen : Barac's aria from "Cara Mustapha" : Hamburg 1686 Johann Wolfgang Franck
Bleibt immer der Schmerze, mein Herze, bei dir? : Murat's aria from "Bajazeth und Tamerlan" : Hamburg 1690 Johann Philipp Foertsch
Da mein Leben mir entweichet : Daliso's aria from "Erindo" : Hamburg 1693 Johann Sigismund Kusser
Dans le piège fatal : slumber scene from "Armide" : Paris 1686 Jean-Baptist Lully
Gott ist König auf der Welt : angels' chorus from "Nebukadnezar" : Zittau 1684 Johann Philipp Krieger
Die regia salma : ghost scene from "Servio Tullio" : Munich 1685 Agostino Steffani
Le saette del Tonante : Alarico's aria from "Alarico" : Munich 1687 Agostino Steffani
Per vostro onor un fulmine vibrate : Rosaura's aria from "La Rosaura" : Rome 1690 Alessandro Scarlatti
Chi ben ama : Termanzia's aria from "Onorio in Roma" : Venice 1692 Carlo Francesco Pollaroli
In quel piè legato ho il core : Placidia's aria from "Onorio in Roma" : Venice 1692 Carlo Francesco Pollaroli
Vacillante è il regno mio : Onorio's aria from "Onorio in Roma" : Venice 1692 Carlo Francesco Pollaroli
Suivons l'aimable paix : Termanzia's aria from "Onorio in Roma" : Venice 1692 Carlo Francesco Pollaroli
Usignoli, che cantate per amor : aria (duet) Termanzio-Onorio from "Onorio in Roma" : Venice 1692 Carlo Francesco Pollaroli
v. 2. Appearance of Venus : from Hésione (Paris 1701) André Campra
Croesus' aria : from Croesus : (Hamburg 1710) Reinhard Keiser
Silvamire's aria : from L'inganno fedele : (Hamburg 1714) Reinhard Keiser
Emma's aria : from Emma und Eginhard : (Hamburg 1728) Georg Philipp Telemann
Almirena's aria : from Rinaldo : (London 1711) George Frederick Handel
Gualtiero's aria : from La Griselda : (London 1722) Giovanni Battista Bononcini
Arianna's recitative and aria : from Il Giustino : (Rome 1724) Antonio Vivaldi
Pimpinone's aria : from Pimpinone : (Hamburg 1725) Georg Philipp Telemann
Claudius' aria : from Ludovicus Pius : (Brunswick 1726) Georg Caspar Schürmann
The beggar's opera : (London 1728). Rinaldo march Johann Christoph Pepusch
Sir John's air : from The devil to pay : (London 1731) Mr. Seedo
Ezio's recitative : from Ezio : (Naples 1730) Johann Adolf Hasse
Les Incas de Pérou : from Indes Galantes : (Paris 1735). Song to the sun Jean-Philippe Rameau
Andromaca's aria : from L'Andromaca : (Naples 1742) Leonardo Leo
Leucippo's aria : from Leucippo : (Dresden 1747) Johann Adolf Hasse
Montezuma's aria : from Montezuma : (Berlin 1755) Carl Heinrich Graun
Orfeo's aria : from Orfeo ed Euridice : (Vienna 1762) Christoph Willibald Gluck
Annette's ariette : from Annette et Lubin : (Paris 1762) by Marie-Justine and Charles-Simon Favart ; music by Benjamin de la Borde
Lieschen's song : from Die Liebe auf dem Lande : (Leipzig 1768) Johann Adam Hiller
Tagliaferro's aria : from La Buona Figluola : (Rome 1760) Nicola Piccinni
Fetonte's accompanied recitative and aria : from Fetonte : (Ludwigsburg 1768) Niccolò Jommelli
Louise's air : from Le déserteur : (Paris 1769) Pierre-Alexandre Monsigny
Aspasia's accompanied recitative and aria : from Mitridate, Rè di Ponto : (Milan 1770) Wolfgang Amadeus Mozart
Recitative of Alceste and Admetus, and Alceste's aria : from Alceste : (Wermar 1773) Anton Schweitzer
Medea : (Leipzig 1775) Georg Benda
Sophie's song : from Die Bergknappen : (Vienna 1778) Ignaz Umlauff
v. 3. La vestale : Paris 1807. Julia's arioso and recitative from act II Gasparo Spontini
La muette de Portici : Paris 1828. Scene and beginning of the finale from act II Daniel François Esprit Auber
Les Huguenots : Paris 1836. Excerpt from the finale of act IV Giacomo Meyerbeer
Joseph : Paris 1807. Joseph's aria : act I, scene 1 Etienne Nicolas Méhul
Fra Diavolo : Paris 1830. Scene with Zerline's prayer : act II, scene 10 Daniel François Esprit Auber
Dinorah (La pardon de Ploermel) : Paris 1859. Invocation scene from act I Giacomo Meyerbeer
Philémon et Baucis : Paris 1860. Beginning of act I, duet for Philémon and Baucis Charles Gounod
L'Italiana in Algeri : Venice 1813. Isabella's aria, act II Giaocchino Rossini
La sonnambula : Milan 1831. Scene and aria from act II Vincenzo Bellini
Norma : Milan 1831. Norma's prayer : from act I Vincenzo Bellini
La forza del destino : St. Petersburg 1862. Leonore-Father Guardian scene : from act II Giuseppe Verdi
La bohème : Turin 1896. Musette's waltz : from act II Gizcomo Puccini
Faust : Prague 1816. Röschen's cavatina Louis Spohr
Faust : Prague 1816. Mephisto's aria Louis Spohr
Undine : Berlin 1816. Undine's farewell : from act III Ernst Theodor Amadeus Hoffmann
Euryanthe : Vienna 1823. Lysiart's scene and aria, beginning of act II Carl Maria von Weber
Hans Sachs : Leipzig 1840. Cordula's aria : from act III Albert Lortzing
Tristan and Isolde : Munich 1865. Death of Tristan : from act III Richard Wagner
Halka : Warsaw 1858. Jontek's song : from act IV Stanislav Moniuszko
Dalibor : Prague 1868. Duet for Milada and Dalibor : from act II Bedřich Smetana
Prince Igor : St. Petersburg 1890. Chorus of the Polovtsian maidens : from act II Alexander Borodin
Sadko : Moscow 1898. Song of the Indian merchant : from the 4th tableau Nicolai Rimsky-Korsakov
v. 1. Dalle più alte sfere : solo madrigal from the 1st intermezzo of "La pellegrina" : Florence 1589 Antonio Archilei
Per quel vago boschetto : messenger scene from "L'Euridice" : Florence 1600 Giulio Caccini
Piange ninfe : lament from "La Dafne" : Mantua 1608 Marco da Gagliano
7.

楽譜
楽譜
7. Improvisation in nine centuries of Western music : an anthology with a historical introduction
by Ernest T. Ferand
出版情報: Cologne : Arno Volk Verlag , Sole distributors for the U.S.A.: MCA Music, c1961
シリーズ名: Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 12
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Gregorian chant: Gradual verses "Domine refugium" and "Ad annuntiandum"
Franciscan Lauda "Laudiamo Jesu" (a 2)
Song of praise to the Virgin "Virgene benedeta" (a 2)
Ambrosian lamentation chants "Domine miserere" and "De profundis" (a 2)
Kyrie for a keyboard instrument (a 2)
Sacred song "Ubi caritas et amor" (a 3)
English discant "In te Domine speravi" (a 3)
Pentecost hymn "Veni Creator Spiritus" (a 3) G. Binchois
Frottola (Justiniana) "Aime sospiri" (a 3) Anonymous
Song "Nach willen dein" (a 4) P. Hofhaimer ; for organ by H. Kotter and by Anonymous, for lute by H. Newsidler
Chanson "Doulce memoire" (a 4) P. Sandrin ; with four recercate for violone by D. Ortiz ; for viola bastarda by V. Bonizzi
Madrigal "Lasciar il velo" (a 4) F. de Layolle ; with diminutions by G.C. Maffei
Madrigal "Tanto mi piacque" (a 4) C. de Rore ; with diminutions by G. dalla Casa
Madrigal "Signor mio caro" (a 4) C. de Rore ; with diminutions by G. dalla Casa and G. Bassano ; for viola bastarda by O. Bassani
"Colored" motet "Te maneat semper" (a 4) Hermann Finck
"A mente" counterpoints (a 3) G. Zarlino
Extempore canons (a 3) S. Calvisius
Introit of the mass for Christmas day (a 5) H. Chamaterò di Negri
Fantasia for clavichord Tomás de Sancta Maria
Canzone for four instruments, and embellished for organ C. Merulo
Sacred concerto "Allein Gott in der Höh' sei Ehr" : for two sopranos and bass, with continuo M. Praetorius
Solo motet "O admirabile commercium" : for soprano or tenor with continuo I. Donati ; unembellished version of the same composition by J.A. Herbst
Sacred duet "Hertzlich lieb hab ich dich" : for two sopranos with figured bass T. Michael
Air de cour "N'éspérez plus, mes yeux" (a 4) A. de Boësset ; diminutions by A. or E. Moulinié, H. le Bailly, and Boësset
Sacred song "O that mine eyes" : for solo voice with unfigured bass T. Brewer
Chorale prelude "Allein Gott in der Höh' sei Ehr" : for organ Joh. Christoph Bach
Adagio for violin and continuo A. Corelli
Arietta "Son un certo spiritello" : with realized continuo Anonymous
Execution of a thorough-bass J.D. Heinichen
Chamber duet "Sempre piango" : for two altos and continuo G.B. Bononcini ; with embellishments by C.A. Benati
Chamber duet "Son io, barbara donna" : for soprano and alto with continuo F. Durante ; embellished version for two sopranos
Adagio for harpsichord (embellished) J.S. Bach ; transcribed from an Oboe concerto by Alessandro Marcello
Largo for harpsichord (embellished) and orchestra, transcribed from the sinfonia of the Cantata "Ich steh' mit einem Fuß im Grabe" J.S. Bach
Adagio "in the Italian style" : for flute and thorough-bass J.J. Quantz
Sonata for violin and through-bass (1st and 3rd movements) F. Benda
Aria "Vom Dienst der Creatur verlassen" with free variation J.A. Hiller
Sonata for clavier with varied reprises C.P.E. Bach
Free fantasy for clavier C.P.E. Bach
Capriccio for the piano K. Czerny
Gregorian chant: Gradual verses "Domine refugium" and "Ad annuntiandum"
Franciscan Lauda "Laudiamo Jesu" (a 2)
Song of praise to the Virgin "Virgene benedeta" (a 2)
8.

楽譜
楽譜
8. 世界獨唱曲集 ([1])
[編纂者, 門馬直衛]
出版情報: 東京 : 春秋社, 1929
シリーズ名: 世界音楽全集 ; 6
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9.

楽譜
楽譜
9. オペラ・アリア集 (1 - 7)
出版情報: 東京 : 音楽之友社, 1955.12-1961.2
シリーズ名: 世界大音楽全集 / 堀内敬三編集代表 ; 声楽篇 10-14,40-41
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10.

楽譜
楽譜
10. ポピュラー歌曲集 (1 ; 2 ; 3)
出版情報: 東京 : 音楽之友社, 1956.3-1960.1
シリーズ名: 世界大音楽全集 / 堀内敬三編集代表 ; 声楽篇 25-26,38
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