|
Philosophy and postwar American criticism |
R. Wellek |
|
Beyond a theory of literature |
I. Hassan |
|
Crocean influence and historicism in Italy |
R. Montano |
|
Cross-currents in contemporary English criticism |
A. Rodway |
|
Romanticism in historical perspective |
L. R. Furst |
|
The alleged parallel of metaphysical and symbolist poetry |
H. M. Block |
|
The historical Dracula |
G. Nandris |
|
The fall : Christian truth and literary symbol |
F. W. Dillistone |
|
Religion and the literary genres |
E. M. Moseley |
|
Le Roman épistolaire et la technique narrative au XVIIIe siècle |
F. Jost |
|
Varieties of epic theatre in the modern drama |
J. Gassner |
|
Christopher the Armenian and the three Princes of Serendip |
S. V. R. Cammann |
|
Armida's garden |
M. Praz |
|
France-Amérique : the transatlantic refraction |
H. Levin |
|
Montesquieu and Machiavelli |
R. Shackleton |
|
The conditions of tragedy |
M. Jarrett-Kerr |
|
Evolution, myth, and poetic vision |
W. J. Ong |
|
Philosophy and postwar American criticism |
R. Wellek |
|
Beyond a theory of literature |
I. Hassan |
|
Crocean influence and historicism in Italy |
R. Montano |