| 1.
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楽譜
|
John Dowland ; transcribed by Edmund H. Fellowes ; edited by Thurston Dart and Nigel Fortune
目次情報:
続きを見る
|
From The first book of songs (1597, 1600, 1603, 1606, 1613). Unquiet thoughts |
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Whoever thinks of hopes of love |
Fulke Greville |
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My thoughts are wing'd with hopes |
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If my complaints |
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Can she excuse |
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Now, oh now I needs must part |
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Dear, if you change |
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Burst forth, my tears |
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Go, crystal tears |
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Think'st thou then by thy feigning |
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Come away, come, sweet love |
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Rest awhile, you cruel cares |
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Sleep, wayward thoughts |
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All ye whom love or fortune |
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Wilt thou, unkind, thus reave me |
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Would my conceit |
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Come again |
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His golden locks |
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Awake, sweet love |
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Come, heavy sleep |
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Away with these self-loving lads |
Fulke Greville |
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from The second book of songs (1600). Praise blindness, eyes |
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O sweet woods |
refrain by Phillip Sidney |
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If floods of tears |
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Fine knacks for ladies |
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Now cease, my wand'ring eyes |
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Come, ye heavy states of night |
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White as lilies |
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Woeful heart |
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A shepherd in a shade |
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Faction that ever dwells |
Fulke Greville |
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Shall I sue |
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Toss not my soul |
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Clear or cloudy |
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Humour, say : a dialogue |
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From The third book of songs (1603). Me, me and none but me |
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When Phoebus first |
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Say, love |
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Flow not so fast |
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What if I never speed |
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Love stood amaz'd |
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Lend your ears |
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By a fountain |
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Oh what hath overwrought |
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Farewell, unkind |
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Weep you no more |
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Fie on this feigning |
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I must complain |
Thomas Campion |
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It was a time |
Robert, Earl of Essex? |
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The lowest trees have tops |
Edward Dyer? |
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What poor astronomers |
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Come when I call : dialogue |
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From a Pilgrim's solace (1612). Disdain me still |
William, Earl of Pembroke? |
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Sweet, stay awhile |
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To ask for all thy love |
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Love, those beams that breed |
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Shall I strive with words to move |
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Were every thought an eye |
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Stay, time, awhile thy flying |
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Tell me, true love |
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In this trembling shadow cast |
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If that sinner's sighs |
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Thou mightly God |
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Where sin sore wounding |
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My heart and tongue were twins |
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From The first book of songs (1597, 1600, 1603, 1606, 1613). Unquiet thoughts |
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Whoever thinks of hopes of love |
Fulke Greville |
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My thoughts are wing'd with hopes |
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| 2.
|
楽譜
|
John Field ; edited by Frank Merrick
目次情報:
|
Concerto no. 1 in E flat |
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Concerto no. 2 in A flat |
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Concerto no. 3 in E flat |
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Concerto no. 1 in E flat |
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Concerto no. 2 in A flat |
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Concerto no. 3 in E flat |
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| 3.
|
楽譜
|
transcribed and edited by John Stevens
目次情報:
続きを見る
|
Benedictus |
[Isaac] |
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Fortune esperee |
[after Busnois] |
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Alles regretz |
[van Ghizeghem] |
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En frolyk weson |
[Barbireau] |
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La my |
[Isaac] |
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Fa la sol |
[Cornish] |
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Pastime with good company |
Henry VIII |
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Pastime with good company |
[Henry VIII] |
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Adieu mes amours |
Cornish |
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Adieu madame et ma maistresse |
Henry VIII |
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Time to pass with goodly sport |
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Helas madame |
Henry VIII |
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Consort I |
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Alas, what shall I do |
Henry VIII |
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Hey now now |
Kempe |
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Alone I live alone |
Cooper |
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O my heart |
Henry VIII |
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Adieu, adieu, my heartes lust |
Cornish |
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Above all thing now let us sing |
Farthing |
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Downberry down |
Daggere |
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Downberry down |
[Daggere] |
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Hey now now |
Farthing |
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In May, that lusty season |
Farthing |
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Puzzle-canon I (Tris) |
Lloyd |
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Whoso that will himself apply |
Rysbye |
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The time of youth |
Henry VIII |
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The thoughts within my breast |
Farthing |
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My love she mourneth |
Cornish |
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Puzzle-canon II (Iste tenor) |
Lloyd |
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Ah th sighs |
Cornish |
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Ah th sighs |
[Cornish] |
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With sorrowful sighs |
Farthing |
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If I had wit for to endite |
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Alack alack what shall I do |
Henry VIII |
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Hey nonny nonny |
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Puzzle-canon III (A dorio tenor) |
Dunstable |
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Green groweth the holly |
Henry VIII |
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Whoso that will all feats |
Henry VIII |
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Blow thy horn, hunter |
Cornish |
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Blow thy horn, hunter |
[Cornish] |
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De tous bien plane |
[van Ghizeghem] |
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Jay pryse amours |
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Adieu, corage, adieu |
Cornish |
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Trolly lolly |
Cornish |
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I love truly |
Farthing |
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You and I and amyes |
Cornish |
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Ough warder mount |
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La season |
[Compère] |
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If love now reigned (I) |
Henry VIII |
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Gentil prince de renom |
Henry VIII |
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Sy fortune |
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Whereto should I express |
Henry VIII |
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If love now reigned (II) |
Henry VIII |
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Ah Robin, gentle Robin |
Cornish |
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Whiles life or breath |
Cornish |
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Though that men do call |
Henry VIII |
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Consort II |
Henry VIII |
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Puzzle-canon IV (Paramese tenor) |
Fayrfax |
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Puzzle-canon IV A (Mese tenor) |
Fayrfax |
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Consort III |
Henry VIII |
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Consort IV |
Henry VIII |
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Departure is my chief pain |
Henry VIII |
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It is to me a right great joy |
Henry VIII |
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Consort V |
Henry VIII |
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Consort VI |
Farthing |
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Consort VII |
Cornish |
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Consort VIII |
Henry VIII |
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I have been a foster |
Cooper |
|
Farewell my joy |
Cooper |
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Without discord |
Henry VIII |
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I am a jolly foster |
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Though some saith |
[Henry VIII] |
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Madame d'amours |
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Adieu adieu le company |
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Consort IX |
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Consort X |
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Consort XI |
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Consort XII |
Henry VIII |
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Consort XIII |
Henry VIII |
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Deem the best of every doubt |
Lloyd |
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Hey trolly lolly |
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Consort XIV |
Henry VIII |
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Consort XV |
Henry VIII |
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Taunder naken |
Henry VIII |
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Whoso that will for grace sue |
Henry VIII |
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Consort XVI |
Henry VIII |
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En vray amoure |
Henry VIII |
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Let not us that young men be |
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Dulcis amica |
[Prioris] |
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Consort XVII |
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[Amys souffrez] |
[Isaac] |
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Consort XVIII |
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Puzzle-canon V (3 in 1) |
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Puzzle-canon VI (2 in 1) |
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Consort XIX |
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Consort XX |
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Consort XXI |
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Lusty youth should us ensue |
Henry VIII |
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Now |
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Consort XXII |
Henry VIII |
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Belle sur tautes: tota pulchra |
[Agricola] |
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England, be glad |
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Pray we to God |
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Consort XXIII |
Henry VIII |
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Fors solemant |
[Févin, after Ockeghem] |
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Consort XXIV |
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And I were a maiden |
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Why shall not I? |
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What remedy, what remedy? |
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Where be ye, my love? |
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Quid petis, o fili |
Pygott |
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My thought oppressed |
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Somewhat musing |
[Fayrfax] |
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I love unloved |
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Hey trolly lolly lo |
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Benedictus |
[Isaac] |
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Fortune esperee |
[after Busnois] |
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Alles regretz |
[van Ghizeghem] |
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| 4.
|
楽譜
|
Orlando Gibbons ; transcribed and edited by Gerald Hendrie
目次情報:
続きを見る
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Prelude (Tone 3) |
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Prelude (Tone 8) |
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[Short] Prelude (Tone 1) |
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[Short] Prelude (Tone 3) |
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Fantasia (Tone 1) |
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Fantasia for double organ (Tone 1) |
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Fantasia (Tone 2 transposed) |
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Fantasia (Tone 2) |
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Fantasia (Tone 3) |
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Fantasia (Tone 5) |
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Pavan (Tone 1) |
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Pavan (Tone 2) |
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Pavan (Tone 3) |
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Pavan: Lord Salisbury (Tone 3) |
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Galliard: Lord Salisbury (Tone 3) |
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Galliard: Lady Hatton (Tone 1) |
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Galliard (Tone 1) |
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Galliard (Tone 3) |
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Galliard (Tone 5) |
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Ground (Tone 3) |
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The Italian ground (Tone 5) |
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The queen's command (Tone 5) |
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The woods so wild (Tone 6/8) |
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Peascod time or the hunt's up (Tone 8) |
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Whoop, do me no harm good man (Tone 8) |
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French air (Tone 1/6) |
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Alman (Tone 1) |
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Alman (Tone 3) |
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Alman (Tone 5) |
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Alman: The king's jewel (Tone 8) |
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Alman (Tone 8) |
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French coranto (Tone 1) |
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Coranto (Tone 1) (two versions) |
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Coranto (Tone 3) |
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Nann's mask or French alman (Tone 1) |
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Mask: Welcome home (Tone 1) |
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Mask: The fairest nymph (Tone 3) |
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Lincoln's inn mask (Tone 5) |
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The temple mask (Tone 5) |
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Plainsong fantasia (Tone 3) |
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Sarabrand (Tone 5) |
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Air (Tone 1) |
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Coranto (Tone 1) |
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Coranto (Tone 6) |
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Plainsong fantasia (Tone 8) |
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Fantasia (Tone 8) |
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Prelude (Tone 3) |
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Prelude (Tone 8) |
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[Short] Prelude (Tone 1) |
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| 5.
|
楽譜
|
Thomas Weelkes ; transcribed and edited by David Brown, Water Collins and Peter Le Huray
目次情報:
続きを見る
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Alleluia, I heard a voice |
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All people clap your hands |
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Deliver us, O Lord |
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Gloria in excelsis Deo |
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Hosanna to the son of David |
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Laboravi in gemitu meo |
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Lord, to thee I make my moan |
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O happy he whom thou protect'st |
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O how amiable are thy dwellings |
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O Jonatan, woe is me for thee |
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O Lord, arise |
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O Lord, God almighty |
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O Lord, grant the king a long life |
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O mortal man |
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Rejoice in the Lord |
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When David heard |
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All laud and praise |
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Give ear, O Lord |
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Give the king thy judgements |
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If king manasses |
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In thee, O Lord (Psalm 31) |
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O Lord, how joyful is the king |
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Plead thou my cause |
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What joy so true |
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Most mighty and all-knowing Lord |
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Alleluia, I heard a voice |
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All people clap your hands |
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Deliver us, O Lord |
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| 6.
|
楽譜
|
edited by Denis Stevens
目次情報:
続きを見る
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O ye happy dames |
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[The Maiden's song] |
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[Galliard] |
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Gloria tibi trinitas |
Carleton |
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[Audi benigne conditor] |
Carleton |
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[Ex more docti mistico] |
[Redford?] |
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[Exultet celum laudibus] |
[Redford?] |
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[Miserere mihi domine] |
[Redford] |
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[Miserere mihi domine] |
[Redford?] |
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Natus est nobis |
Tallis |
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Fancy |
Newman |
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Whose faithful service |
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La brunette (?) |
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La demoiselle (?) |
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La chemise (?) |
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Voluntary |
Allwood |
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Claro paschali gaudio |
Allwood |
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Felix namque |
Farrant |
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Voluntary |
Farrant |
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Christe qui lux [es et dies] |
Blitheman |
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In nomine |
Allwood |
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Quia fecit [mihi magna] |
shepherd |
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Fond youth is a bubble |
Tallis |
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Eterne rex altissime |
Redford |
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O lux [beata trinitas] |
Redford |
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Exultet celum laudibus |
Redford |
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Christe qui lux [es et dies] |
Redford |
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[Felix namque] |
Blitheman |
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Point |
Shepherd |
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Felix namque |
Shelbye |
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In nomine |
Taverner |
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Salvator [mundi domine] |
Redford |
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Lucem tuam |
Redford |
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[Te lucis ante terminum] |
Redford |
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Miserere [mihi domine] |
Shelbye |
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Remenber not, O lord |
Tallis |
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I give you a new commandment |
[Shepherd] |
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In nomine |
Johnson |
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Sermonde blando angelus |
[Redford?] |
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Veni redemptor [gentium] |
Redford |
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Iste confessor |
Redford |
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Eterne rerum conditor |
Blitheman |
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Eterne rerum [conditor] |
Blitheman |
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Miserere [mihi domine] |
Redford |
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Glorificamus [te dei genitrix] |
Redford |
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Versus |
Shepherd |
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Tibi omnes |
Redford |
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Te per orbem terrarum |
Redford |
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Tu ad liberandum |
[Redford] |
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Salvum fac |
[Redford] |
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Point |
[Redford?] |
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Verbum supernum [prodiens] |
Redford |
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Meane |
Redford |
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My friends |
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Like as the cained wight |
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Aurora lucis |
Redford |
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Eterme rerum conditor |
Redford |
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I am lucis orto sidere |
Redford |
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Rejoice in the lord always |
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Te Deum |
Blitheman |
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Of wise heads |
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O the silly man |
Edwards |
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Defiled is my name |
Johnson |
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In going to my naked bad |
[Edwards] |
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The man is blest |
[Shepherd] |
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O ye tender babes |
Tallis |
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Benedicam domino |
Johnson |
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When shall my sorrowful sighing |
Tallis |
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I am lucis orto sidere |
Tallis |
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In nomine |
[White] |
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I smile to see how you devise |
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The wretched wandering Prince- |
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When cressid went from troy |
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Gloria tibi trinitas |
Blitheman |
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Veni redemptor [gentium] |
Tallis |
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Ex more docti mistico |
Tallis |
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[Clarifica me pater] |
Tallis |
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Ecce tempus [idoneum] |
Tallis |
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Point |
Tallis |
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Ecce tempus idoneum |
[Tallis] |
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Iste confessor |
Tallis |
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Christe qui lux es et dies |
Heath |
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Christe redemptor omnium |
[Blitheman?] |
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O lord turn not away |
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Since thou art false to me |
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O happy dames |
[Shepherd] |
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[When that the fifty day] |
[Tye] |
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When griping griefs |
[Edwards?] |
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The bitter sweet |
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Like as the doleful dove |
Tallis |
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Pavan |
Newman |
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I lift my heart |
Tye |
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As I deserve |
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Per haec nos |
Tallis |
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Tres partes in una |
Munday |
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O ye happy dames |
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[The Maiden's song] |
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[Galliard] |
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| 7.
|
楽譜
|
Matthew Locke & Christopher Gibbons ; edited by Edward J. Dent
|
| 8.
|
楽譜
|
Arne, Milton, Dalton ; edited by Julian Herbage
目次情報:
続きを見る
|
Overture |
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Act 1. Song, now phoebus sinketh in the west |
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Song, by dimpl'd brook |
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Duet, from tyrant laws and customs free |
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Song, by the gayly circling glass |
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Dance |
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Song, sweet eccho |
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Song, fly swiftly, ye minutes |
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Chorus, away, away |
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Act 2. Song, Fame's an eccho |
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Song, would you taste the noontide air? |
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Trio, live and love, enjoy the fair |
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Act 3. Song, come, come, bid adieu to fear |
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Recit, how gentle was by Damon's air |
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Ballad, on ev'ry hill in ev'ry grove |
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Recit, love, the greatest bliss below |
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Ballad, the wanton god |
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Recit, from the realms of peace above |
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Song, nor on beds of fanding flow'rs |
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Song, preach me not your musty rules |
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Song, ye fawns, and ye dryads |
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Song, Saburina fair |
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Song, by the rushy-fringed bank |
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Recit, gentle swain, and song, thrice upon thy finger's tip |
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Chorus, taught by virtue |
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Overture |
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Act 1. Song, now phoebus sinketh in the west |
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Song, by dimpl'd brook |
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| 9.
|
楽譜
|
edited by John Stevens
|
| 10.
|
楽譜
|
Thomas Tomkins ; edited by Stephen D. Tuttle
目次情報:
続きを見る
|
Prelude |
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Piece of a prelude : July 9, 1647 |
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Clarifica me pater : September 1650 |
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In nomine : January 20-28, 1647 : version I |
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In nomine : January 20, 1647 - August 2, 1650 : version II |
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In nomine : May 1648 |
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In nomine : June 16, 1648 |
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In nomine : October 27, 1648 |
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In nomine : Febrary 1650 : version I |
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In nomine : Febrary 14, 1650 : version II |
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In nomine : June 28, 1652 |
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Miserere : September 15, 1648 |
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Miserere : October 7, 1648 |
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Miserere : May 26, 1651 |
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Miserere : Febrary 3-4, 1652 |
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Miserere |
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Offertory : 1637 |
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Fancy : November 9, 1646 |
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Fancy : July 8, 1647 |
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Voluntary : August 10 - September 10, 1647 |
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Fancy : October 24, 1648 |
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A verse of three parts : August 12, 1650 |
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A short verse |
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Voluntary |
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Fancy |
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A substantial verse maintaining the point |
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Fancy : for two to play |
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Fancy : for viols |
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Ut, re, mi, fa, sol, la : for a beginner |
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Ut, re, mi, fa, sol, la |
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Ut, mi, re |
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Ground |
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Pavan : Earl Stafford : september 29, 1647 : short version |
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Galliard : Earl stafford : short version |
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Pavan : Earl Stafford : October 2, 1647 : long version |
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Galliard : Earl stafford : long version |
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Pavan : April 1650 |
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Galliard : October 1, 1650 |
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Pavan : September 4, 1654 |
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Galliard : September 7, 1654 |
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Pavan of three parts |
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Galliard of three parts |
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Pavan : Sseptember 10, 1647 |
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Pavan : September 14, 1647 |
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A sad pavan : for these distracted times : Fabruary 14, 1649 |
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Pavan : August 20, 1650 |
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Short pavan : July 19, 1654 |
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Pavan |
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|
Pavan : Lord Canterbury : 1647 |
|
|
The hunting galliard |
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|
The Lady Folliott's galliard |
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|
Galliard (by Gibbons?) |
|
|
Fortune my foe : July 4, 1654 |
|
|
Barafostus' dream |
|
|
Robin Hood (Anon: by Morley?) |
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What if a day (Campion, set by Tomkins) |
|
|
Worcester brawls |
|
|
The perpetual round : September 7-8, 1654 |
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Toy : made at Poole Court |
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[On a plainsong] |
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Toy : Mr. Curch |
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|
Ut, re, mi, fa, sol, la (fragment) |
|
|
Ut, re, mi, fa, sol, la : June 30, 1654 (fragment?) |
|
|
Go from by window (fragment) |
|
|
Bitts or morcells (fragments) |
|
|
[A short verse] for Edward [Thornburgh] |
|
|
Another [short verse] |
|
|
[Voluntary] for Mr Arc[hdeacon] Thornburgh |
|
|
Prelude |
|
|
Piece of a prelude : July 9, 1647 |
|
|
Clarifica me pater : September 1650 |
|
|
| 11.
|
楽譜
|
transcribed and edited by Philip Brett
目次情報:
続きを見る
|
O Death, rock me asleep |
Anon |
|
Alas, alack, my heart is woe |
Anon |
|
Come tread the paths (Guichardo) |
Anon |
|
Farewell the bliss |
Anon |
|
Enforc'd by love and fear |
Robert Parsons |
|
Pour down, you pow'rs divine (Pandolpho) |
Robert Parsons |
|
No grief is like to mine |
[Robert Parsons] |
|
Ah, alas, you salt sea gods (Abradad) |
Richard Farrant |
|
O Jove, from stately throne |
Richard Farrant |
|
A doleful deadly pang |
Nicholas Strogers |
|
Send forth thy sighs |
Nathaniel Pattrick |
|
Prepare to die |
Nathaniel Pattrick |
|
Like as the day |
Patrick Mando |
|
For death of her |
William Cobbold |
|
Ye mortal wights |
William Cobbold |
|
Cease now, vain thoughts |
Nathaniel Giles |
|
O thrice-blessed earthbed |
John Tomkins |
|
How can the tree |
Anon |
|
In terrors trapp'd |
Anon |
|
Mistrust misdeems amiss |
Anon |
|
The saint I serve |
Anon |
|
Mistrust not truth |
[Nicholas?] Strogers |
|
O heav'nly God |
[Nicholas?] Strogers |
|
When May is in his prime |
Anon |
|
Ah, silly poor Joas |
Anon |
|
My little sweet darling |
Anon |
|
Without redress |
Anon |
|
In paradise |
Anon |
|
Amids my bale |
William Cobbold |
|
The haughty hearts |
William Cobbold |
|
Fie, fie, my fate |
[William?] Mundy |
|
Come, Charon, come |
Anon |
|
Climb not too high |
Nathaniel Pattrick |
|
Eliza is the fairest Queen |
Edward Johnson |
|
Come again |
Edward Johnson |
|
My mind to me |
Anon |
|
My heart doth pant for sorrow |
Anon |
|
Complain with tears |
Anon |
|
What first did break thee |
Anon |
|
Come, Holy Ghost |
Anon |
|
O Lord of whom I do depend |
Anon |
|
O Lord, turn not away thy face |
Anon |
|
Now Israel may say |
John Cosyn |
|
Except the Lord the house do make |
John Cosyn |
|
Lord, to thee I make my moan |
John Cosyn |
|
Yield unto God |
John Cosyn |
|
Ne reminiscaris |
John Wilbye |
|
Born is the Babe |
Anon |
|
Eliza, her name gives honour |
John Bennet |
|
Venus' birds |
John Bennet |
|
Cuckoo |
[Richard Nicholson?] |
|
In a merry May morn |
Richard Nicholson |
|
Joan, quoth John |
Richard Nicholson |
|
No more, good herdsman, of thy song |
Richard Nicholson |
|
Sweet, they say such virtue lies in your lips |
[Richard Nicholson?] |
|
I am not I of such belief (I) |
Richard Nicholson |
|
I am not I of such belief (II) |
William Wigthorpe |
|
Were I made juror |
William Wigthorpe |
|
Smiths are good fellows |
William Wigthorpe |
|
Of all jolly pastimes |
Anon |
|
What meat eats the Spaniard? |
Anon |
|
Hold, lingel, hold |
Anon |
|
The dark is my delight |
Anon |
|
This merry pleasant Spring |
Anon |
|
When Daphne from fair Phoebus did fly |
Anon |
|
Sweet was the song the Virgin sung |
Anon |
|
Sorrow, come |
John Dowland |
|
The cries of London |
Thomas Weelkes |
|
The cries of London |
Orlando Gibbons |
|
The cry of London |
Anon |
|
The city cries |
Richard Dering |
|
The country cries |
Richard Dering |
|
New fashions |
William Cobbold |
|
O Death, rock me asleep |
Anon |
|
Alas, alack, my heart is woe |
Anon |
|
Come tread the paths (Guichardo) |
Anon |
|
| 12.
|
楽譜
|
Giles & Richard Farnaby ; transcribed and edited by Richard Marlow
目次情報:
続きを見る
|
Prelude |
|
|
Ground |
|
|
Fantasia |
|
|
Pavan |
Robert Johnson ; set by Farnaby |
|
The flat pavan |
John Johnson ; set by Farnaby |
|
Lachrymae pavan |
John Dowland ; set by Farnaby |
|
Pavan |
by Morley? ; set by Farnaby |
|
Walder Earle's pavan |
|
|
Farmer's pavan |
|
|
Galliard |
|
|
Rosseter's galliard |
Rosseter ; set by Farnaby |
|
Alman |
|
|
Alman |
Robert Johnson ; set by Farnaby |
|
Meridian alman |
set by Farnaby |
|
[Alman] for two virginals |
|
|
Tower hill |
|
|
Jigg |
|
|
Toy |
|
|
The old spagnoletta |
|
|
Spagnoletta |
|
|
Mask |
|
|
Mask |
John Coperario ; set by Farnaby |
|
The Lord Zouche's mask |
|
|
Bonny sweet Robin |
|
|
Daphne |
|
|
Mal sims |
|
|
Muscadin or Kempe's morris |
|
|
Why ask you? |
|
|
Woody-cock |
|
|
Loath to depart |
|
|
Quodling's delight |
|
|
Tell me daphne |
|
|
Put up thy dagger Jemy |
|
|
The New Sa-hoo |
|
|
Paul's wharf |
|
|
Rosasolis |
|
|
Up tails all |
|
|
The King's hunt |
|
|
Giles Farnaby's dream |
|
|
His rest |
|
|
Farnaby's conceit |
|
|
His humour |
|
|
Duo |
by Richard Farnaby |
|
Nobody's jigg or Fleet street |
by Richard Farnaby |
|
Fain would I wed |
by Richard Farnaby |
|
Hanskin |
by Richard Farnaby |
|
| 13.
|
楽譜
|
Richard Dering ; transcribed and edited by Peter Platt
目次情報:
続きを見る
|
Filli se gl'occhi giro |
|
|
O vaghe o care stelle |
|
|
Giunto è pur |
|
|
Se nel partir da voi |
|
|
Ahi! già mi discoloro |
|
|
Ahi! Che tormi il ben mio |
|
|
Voi che sete il cor mio |
|
|
Cosi bella voi sete |
|
|
Voi volete ch'io mora |
|
|
Chi prende amor a gioco |
|
|
Felice era il mio core |
|
|
Arder di ghiaccio |
|
|
Per te l'alma si strugge |
|
|
Soccorretemi ohimé! |
|
|
Dolce amoroso foco |
|
|
Io mi sento morir |
|
|
Filli mi ride e fugge |
|
|
Ardo misero amante |
|
|
Filli, mentre ti miro |
|
|
Io grido ognor mercede |
|
|
O com'è gran martire |
|
|
Dolce spirto d'amore |
|
|
Il mio martir |
|
|
I miei sospiri |
|
|
Donna crudel |
|
|
Ohimé! Partito è il mio bel sol |
|
|
Gli ardenti miei desiri |
|
|
Lungi da voi |
|
|
Vivrò io mai |
|
|
E se pur esser |
|
|
Ite amari sospiri |
|
|
Occhi ladri d'amor |
|
|
Poiché mesto e dolente |
|
|
Donna, se'l cor legasti |
|
|
Tutta gentile e bella |
|
|
La vaga e bell' Aurora |
|
|
Donna gentile |
|
|
E se ben notte e giorno |
|
|
Deh! Luce del mio cor |
|
|
Ardor felice e cero |
|
|
Ardenti miei sospiri |
|
|
Mirando la mia Dea |
|
|
Rosa d'amor |
|
|
Lagrime dolci e care |
|
|
Vergine bella |
|
|
Donna, mentre io vi miro |
|
|
O bellezza vitale |
|
|
Cosí dunque |
|
|
O miei giorni fugaci |
|
|
O Donna troppo cruda |
|
|
O durezza di ferro |
|
|
Legasti, anima mia |
|
|
T'amo mia vita |
|
|
Crudelissima doglia |
|
|
Alme d'amor rubelle |
|
|
Ho visto al mio dolore |
|
|
Felice chi vi mira |
|
|
Che veggio? ohimé! |
|
|
Al fonte, al prato |
|
|
Pargoletta è colei |
|
|
Lungi dal vostro lume |
|
|
Lasso, ch'io moro! |
|
|
O dolce mio martire |
|
|
Sleep quiet, Lee |
|
|
If sorrow might so fully be express'd |
|
|
Filli se gl'occhi giro |
|
|
O vaghe o care stelle |
|
|
Giunto è pur |
|
|
| 14.
|
楽譜
|
John Dunstable ; edited by Manfred F. Bukofzer
目次情報:
続きを見る
|
Kyrie |
|
|
Gloria |
|
|
Credo |
|
|
Sanctus |
|
|
Gloria : with trope Spiritus et alme |
|
|
Credo : anonymous |
|
|
Gloria : four voices |
|
|
Credo : four voices |
|
|
Sanctus : on a plainsong |
|
|
Agnus Dei : on a plainsong : see also no. 68 |
|
|
Gloria super Fesu Christe Fili Dei |
|
|
Credo super Fesu Christe Fili Dei |
|
|
Credo Missa Da geudiorum premia : see no. 69 for Kyrie, and no. 72 for Gloria |
|
|
Sanctus ,Missa Da geidoprum premia |
|
|
Gloria : Missa Rex eculorum : see no. 70 for Kyrie |
|
|
Credo : Missa Rex eculorum : see no. 70 for Kyrie |
|
|
Sanctus : Missa Rex eculorum : see no. 70 for Kyrie |
|
|
Agnus Dei : Missa Rex eculorum : see no. 70 for Kyrie |
|
|
Albanus roseo rutilat |
|
|
Ave Regina celorum, ave decus |
|
|
Christe sanctorum decus |
|
|
Dies degnus decorari |
|
|
Gaude felix Anna |
|
|
Gaude Virgo salutata : four voices |
|
|
Preco preheminencie : four voices |
|
|
Salve scema sanctitatis : four voices |
|
|
Specialis Virgo |
|
|
Veni Sancte Spiritus : Veni Creator Spiritus : four voices |
|
|
Veni Sancte Spiritus |
|
|
Textless motet [nesciens mater virgo] |
|
|
Ave maris stella : Hymn |
|
|
Magnificat secundi toni : Canticle |
|
|
Ave Regina celorum : Marian Antiphon |
|
|
Regina celi letare : Marian Antiphon |
|
|
Crux fidelis : processional Antiphon |
|
|
Alma redemptoris mater |
|
|
Beata dei genitrix |
|
|
Beata mater |
|
|
Gloria sanctorum decus |
|
|
Quam pulcra es |
|
|
Salve Regina mater mire |
|
|
Salve regina misericordie : with trope Virgo mater |
|
|
Sancta Dei Genitrix |
|
|
Sancta Maria, non est tibi similis |
|
|
Sancta Maria succure miseris |
|
|
Speciosa facta es |
|
|
Sub tuarm protectionem |
|
|
Sub tuarm protectionem first arrangement for keyboard |
|
|
Sub tuarm protectionem second arrangement for keyboard |
|
|
Gaude Virgo Katherina |
|
|
O crux gloriosa |
|
|
O rosa bella : with an optional contratenor and three additional voices |
by John Bedingham |
|
O rosa bella first arrangement for keyboard |
|
|
O rosa bella second arrangement for keyboard |
|
|
Puisque m'amour : Rondeau |
|
|
Puisque m'amour arrangement for keyboard |
|
|
Puisque m'amour four two-part arrangements |
|
|
Gloria : Missa sine nomine : see no. 71 for Kyrie |
[John Benet?] |
|
Credo : Missa sine nomine : see no. 71 for Kyrie |
[John Benet?] |
|
Sanctus : Missa sine nomine : see no. 71 for Kyrie |
[John Benet?] |
|
Agnus Dei : Missa sine nomine : see no. 71 for Kyrie |
[John Benet?] |
|
Alma redemptoris mater |
[Leonel Power?] |
|
Ascindit Christus : Alma redemptoris |
[Forest?] |
|
Salve mater salvatoris |
[Leonel Power?] |
|
Salve Regina mater misericordie : with trope Virgo mater |
[Leonel Power?] |
|
Durer ne puis : Rondeau |
[John Bedingham?] |
|
Kyrie : one voice |
|
|
Isorhymic tenor : without text |
|
|
Ipsum regem : tenor fregment from Nesciens mater |
|
|
Magnificat secundi toni : alternative version |
|
|
Sanctus : alternative pair no. 14 |
|
|
Kyrie Missa Da gaudiorum premia : with trope Rex genitor |
|
|
Kyrie super Rex seculorum : with trope Deus Creator omnium |
|
|
Kyrie : Missa sine nomine : with trope Omnipotens Pater |
|
|
Gloria Missa Da gaudiorum premia : incipit only |
|
|
Descendi in ortum meum |
|
|
| 15.
|
楽譜
|
John Jenkins ; transcribed and edited by Andrew Ashbee
目次情報:
続きを見る
|
Air in G minor |
|
|
Air in D minor |
|
|
Pavan in F major |
|
|
Air in F major |
|
|
Air in C major |
|
|
Air [fantasia] in C major |
|
|
Air in E minor |
|
|
Air in D major |
|
|
"Newark siege" in D major |
|
|
Galliard in D major |
|
|
Air in A minor |
|
|
Fantasia in A minor |
|
|
Pavan in A minor |
|
|
Pavan in B♭ major |
|
|
Air in B♭ major |
|
|
Fantasia in B♭ major |
|
|
Suite no. 1 in G minor |
|
|
Suite no. 2 in A minor |
|
|
Suite no. 3 in D minor |
|
|
Suite no. 4 in F major |
|
|
Suite no. 5 in B♭ major |
|
|
Suite no. 6 in F major |
|
|
Suite no. 7 in E minor |
|
|
Suite no. 8 in D major |
|
|
Fantasia no. 7 in C minor |
|
|
Fantasia no. 9 in C minor |
|
|
Fantasia no. 12 in D major |
|
|
Fantasia no. 15 in C major |
|
|
Fantasia no. 16 in D minor |
|
|
Alman [4] in C major |
|
|
[Alman] [7] in C minor |
|
|
Alman [10] in D major |
|
|
Alman [11] in D major |
|
|
Air [25] in G major |
|
|
Alman [31] in G minor |
|
|
Corant [38] in C major |
|
|
Corant [39] in C minor |
|
|
Corant [41] in D minor |
|
|
Pavan [46] in A minor |
|
|
Pavan [47] in D minor |
|
|
Pavan [51] in G minor |
|
|
Air in G minor |
|
|
Air in D minor |
|
|
Pavan in F major |
|
|
| 16.
|
楽譜
|
Thomas Linley ; transcribed and edited by Gwilym Beechey
目次情報:
続きを見る
|
Overture |
|
|
Chorus: o guardian of that sacred land |
|
|
Recit: "tis thine alone" |
|
|
Air: come then, o fancy |
|
|
Recit: at Shakespeare's happy birth |
|
|
Air: and now is come |
|
|
Chorus: be Shakespeare born |
|
|
Recit: so spake the god |
|
|
Air: there in old Arden's inmost shade |
|
|
Recit: and as before |
|
|
Air: thy hand his youthful footsteps led |
|
|
Air: some drive the cham'rous owl away |
|
|
Chorus: some drive the cham'rous owl away |
|
|
Recit: but oh! What suden gloom |
|
|
Quartet: by the pale light |
|
|
Recit: see through the glimmering darkness |
|
|
Chorus: what howling whirlwinds |
|
|
Recit: for whom, at yonder lived flame |
|
|
Air: whither ye beldames |
|
|
Chorus: the tempests cease |
|
|
Resit: no more the elves |
|
|
Air: ariel, who sees thee now |
|
|
Recit: no more shalt thou |
|
|
Duet: for who can wield |
|
|
Chorus: yet, fancy, once again |
|
|
Overture |
|
|
Chorus: o guardian of that sacred land |
|
|
Recit: "tis thine alone" |
|
|
| 17.
|
楽譜
|
Matthew Locke ; transcribed and edited by Michael Tilmouth
目次情報:
続きを見る
|
Vol. 1. Duos for two bass viols : Suite no. 1 in D minor-major |
|
|
Suite no. 2 in C minor-major |
|
|
Consort of two parts "For several friends" : Suite no. 1 in G minor-major |
|
|
Suite no. 2 in B-flat major |
|
|
Suite no. 3 in D minor-major |
|
|
Suite no. 4 in E minor |
|
|
Suite no. 5 in F major |
|
|
Suite no. 6 in A minor-major |
|
|
Suite no. 7 in C minor-major |
|
|
Suite no. 8 in D minor |
|
|
The little consort : Suite no. 1 in G minor |
|
|
Suite no. 2 in C major |
|
|
Suite no. 3 in D minor |
|
|
Suite no. 4 in B-flat major |
|
|
Suite no. 5 in E minor |
|
|
Suite no. 6 in F major |
|
|
Suite no. 7 in G minor-major |
|
|
Suite no. 8 in A minor |
|
|
Suite no. 9 in B-flat major |
|
|
Suite no. 10 in D minor-major |
|
|
The flat consort "For my cousin emble" : Suite no. 1 in C minor |
|
|
Suite no. 5 in A minor-major |
|
|
Vol. 2. The broken consort: part I : Suite no. 1 in G minor |
|
|
Suite no. 2 in G major |
|
|
Suite no. 3 in C major |
|
|
Suite no. 4 in C major |
|
|
Suite no. 5 in D minor |
|
|
Suite no. 6 in D major |
|
|
The broken consort: part II : Suite no. 1 in C minor-major |
|
|
Suite no. 2 in D minor-major |
|
|
Suite no. 3 in E minor |
|
|
Suite no. 4 in F major |
|
|
Consort of four parts : Suite no. 1 in D minor |
|
|
Suite no. 3 in F major |
|
|
Suite no. 5 in G minor |
|
|
Suite no. 6 in G major |
|
|
Six parts canons : On the Hezachord |
|
|
On a plainsong |
|
|
The Oxford suite |
|
|
Vol. 1. Duos for two bass viols : Suite no. 1 in D minor-major |
|
|
Suite no. 2 in C minor-major |
|
|
Consort of two parts "For several friends" : Suite no. 1 in G minor-major |
|
|
| 18.
|
楽譜
|
transcribed and edited by Ian Spink
目次情報:
続きを見る
|
Nicholas Lanier (1588-1666) : Weep no more my wearied eyes |
|
|
Fire! fire! lo hire I burn (Campian) |
|
|
Silly heart for bear |
|
|
No more shall meads be deck'd with flowr's (Carew) |
|
|
Mark how the blushful morn (Carew) |
|
|
Love and I of late did part |
|
|
Like hermit poor in pensive place obscure (Raleigh) |
|
|
Neither sighs, nor tears, nor mourning |
|
|
Stay, silly heart, and do not break |
|
|
Nor com'st thou yet, my slothful love: Recitative |
|
|
Tell me, shepherd, dost thou love? Dialogue |
|
|
Robert Ramsey (fl. 1616-1644) : What tears, dear prince, can serve (Raleigh) |
|
|
Go perjur'd man! and if you e'er return (Herrick) |
|
|
Thou may'st be proud (Herrick) |
|
|
Howl not, you ghosts and furies, while I sing: Dialogue (Herrick) |
|
|
Alfonso (?) Bales (d. 1635) : Chloris sigh'd, and sang, and wept (Pembroke) |
|
|
Shephen Mace (d. 1635) : Weep no more, nor sigh, nor groan (Beaumont & Fletcher: The queen of Corinth) |
|
|
John Jenkins (1592-1678) : Cease not, thou heav'nly-voiced glorious creature |
|
|
Why sigh'st thou, shepherd? Dialogue (Randolph) |
|
|
John Wilson (1595-1674) : Wherefore peep'st thou, envious day? (Donne?) |
|
|
Take, o take those lips away (Beaumont & Fletcher: The bloody brothēr) |
|
|
In a maiden time profess'd (Middleton: The witch) |
|
|
Languish and despair, my heart! |
|
|
Turn, turn thy beauteous face away (Beaumont & Fletcher: Love's cure) |
|
|
Pity of beauty in distress |
|
|
As tuned harp strings sad notes take |
|
|
Since love hath in thine and mine eye |
|
|
Awake, awake! the morn will never rise (Davenant) |
|
|
In the merry month of May (Breton) |
|
|
Thou great and good! could I but rate (Montrose) |
|
|
From the fair lavinian shore |
|
|
In a season all oppressed |
|
|
Henry Lawes (1596-1662) : I rise and grieve |
|
|
Speak, speak, at last reply |
|
|
Or you, or I, nature did wrong! |
|
|
Hard-hearted fair, if thou wilt not consent |
|
|
Sweet stay awhile; why do you rise? (Donne) |
|
|
Break heart in twain! fair ronile may see |
|
|
Transcendent beauty, thou that art |
|
|
O let me groan one word into thine ear (Pembroke) |
|
|
Slide soft you silver floods |
|
|
Out upon it, I have lov'd (Suckling) |
|
|
Come from the dungeon to the throne (Cartwright: The royal slave) |
|
|
Come my sweet while ev'ry strain (The royal slave) |
|
|
Now the sun is fled (The royal slave) |
|
|
Thou, o bright sun, who see'st all (The royal slave) |
|
|
Wert thou yet fairer than thou art |
|
|
Whither are all her false oaths blown? (Herrick) |
|
|
'Tis but a frown, I prithee let me die |
|
|
No, no, fair heretic, it cannot be (Suckling) |
|
|
Will you know my mistress' face? |
|
|
Sleep soft, you cold clay cinders that late clad |
|
|
Bid me but live, and I will live (Herrick) |
|
|
Go thou gentle whisp'ing wind (Carew) |
|
|
When thou, poor excommunicate (Carew) |
|
|
Have you e'er seen the morning sun (Hughes) |
|
|
O tell me love! o tell me fate! (Hughes) |
|
|
Beauty and love once fell at odds |
|
|
O turn away those cruel eyes (Stanley) |
|
|
As celia rested in the shade: Dialogue (Carew) |
|
|
John Hilton (1599-1657) : Thou may'st be proud (Herrick) |
|
|
Wilt thou forgive the sin where I begun? (Donne) |
|
|
Am I despis'd because you say (Herrick) |
|
|
Hang golden sleep upon her eyelids fair |
|
|
If that I for thy sweet sake |
|
|
You meaner beauties of the night (Wotton) |
|
|
Rise, princely shepherd, and be arbiter: Dialogue |
|
|
Charles Coleman (d. 1664) : Wake my adonis, do not die (Cartwright) |
|
|
Bright Aurelia, I do owe |
|
|
Wilt thou be gone, thou heartless man |
|
|
Change, platonics, change for shame |
|
|
How am I chang'd from what I was |
|
|
When Celia I intend do flatter you |
|
|
Did not you once, Lucinda, vow: Dialogue |
|
|
Simon Ives (1600-1662) : Will Chloris cast her sun-bright eyes |
|
|
Go bid the swan in silence die |
|
|
Shepherd well met, I prithee tell: Dialogue |
|
|
William Lawes (1602-1645) : Why should great beauty virtuous fame desire (Davenant) |
|
|
Why so pale and wan, fond lover? (Suckling: Aglaura) |
|
|
No, no, fair heretic, it needs must be (Aglaura) |
|
|
To whom shall I camplain; to men or gods? |
|
|
Pleasures, beauty, youth attend ye (Ford: The lady's trial) |
|
|
Faith, be no longer coy |
|
|
Gather ye rosebuds while ye may (Herrick) |
|
|
Come adonis, come away (Tatham) |
|
|
Charon, o Charon! hear a wretch oppress'd: Dialogue |
|
|
William Webb (fl. 1620-1656) : As life what is so sweet |
|
|
Go and bestride the southern wind |
|
|
Pow'rful morpheus, let thy charms |
|
|
Victorious beauty, though your eyes (Townshend) |
|
|
Since 'tis my fate to be thy slave |
|
|
Look back Castara from thine eye (Habington) |
|
|
William Caesar (alias Smegergill) (fl. 1615-1667) : Blow gently passion in my fair one's breast |
|
|
If any live that fain would prove |
|
|
Forbear fond swain, I cannot love: Dialogue |
|
|
George Jeffreys (d. 1685) : Drowsy phoebus, come away: Dialogue (Haustet: The rival friends) |
|
|
Have pity, grief; I cannot pay (The rival friends) |
|
|
Cruel! but once again (The rival friends) |
|
|
John Atkins (d. 1671) : Wert thou yet fairer than thou art |
|
|
This lady ripe and fair and fresh (Davenant: The just Italian) |
|
|
When the chill Cherocco blows (Bonham) |
|
|
I can love for an hour when I'm at leisure |
|
|
Thomas Brewer (b. 1611) : Mistake me not, I am as cold as hot |
|
|
O that mine eyes could melt into a flood |
|
|
Thomas Blagrave (d. 1688) : What means this strangeness now of late? (Aytoun) |
|
|
John Taylor (fl. 1637-1646) : Tell me not that I die, or live by thee (Tatham) |
|
|
Lay that sullen garland by thee |
|
|
Thomas Charles (?-?) : Why will you swear I am forsworn (Lovelace) |
|
|
Jeremy Savile (d. 1665) : I will not trust thy tempting graces (Stanley) |
|
|
Edward Coleman (d. 1669) : Why, dearest, should you weep (Cotton) |
|
|
The glories of our birth and state (Shirley: Ajax und ulysses) |
|
|
John Goodgroome (d. 1704) : Fret on, fond cupid, curse thy feeble bow |
|
|
Dost see how unregarded now (Suckling) |
|
|
Nicholas Lanier (1588-1666) : Weep no more my wearied eyes |
|
|
Fire! fire! lo hire I burn (Campian) |
|
|
Silly heart for bear |
|
|
| 19.
|
楽譜
|
Pelham Humfrey ; transcribed and edited by Peter Dennison
目次情報:
続きを見る
|
Vol. 1. Almighty God, who mad'st thy blessed Son |
|
|
By the waters of Babylon |
|
|
Haste thee O God |
|
|
Have mercy upon me O God (I) |
|
|
Have mercy upon me O God (II) |
|
|
Hear my crying O God |
|
|
Hear my prayer O God |
|
|
Hear O heav'ns |
|
|
I will always give thanks (The club anthem) |
|
|
Lift uo your heads |
|
|
Like as the hart |
|
|
Lord teach us to number our days |
|
|
O be joyful |
|
|
Vol. 2. O give thanks unto the Lord |
|
|
O Lord my God |
|
|
O praise the Lord |
|
|
Rejoice in the Lord o ye righteous |
|
|
The King shall rejoice |
|
|
Thou art my King, o God |
|
|
Service in E minor |
|
|
Chant in C major |
|
|
Vol. 1. Almighty God, who mad'st thy blessed Son |
|
|
By the waters of Babylon |
|
|
Haste thee O God |
|
|
| 20.
|
楽譜
|
transcribed and edited by John Stevens
目次情報:
続きを見る
|
I have been a foster |
anon |
|
My woeful heart |
anon |
|
Be peace! ye make me spill my ale! |
anon |
|
Absence of you |
anon |
|
The high desire |
anon |
|
O blessed lord, how may this be? |
anon |
|
Thou man, envired with temptation |
anon |
|
Now help, fortune |
anon |
|
Fair and discreet |
anon |
|
Alone, alone, mourning alone |
T. B.? |
|
My heart is in great mourning |
anon |
|
Pastime with good company |
[Henry VIII] |
|
So put in fear I dare not speak |
anon |
|
Alone, alone; here I am myself |
anon |
|
In wilderness there found I bess |
anon |
|
Come over the burn, Bessy |
anon |
|
Votre trey dowce regaunt |
tenor from Binchois |
|
Up I arose in verno tempore |
anon |
|
Hey ho, the mavis on a brere |
anon |
|
How shall I please? |
anon |
|
The farther I go, the more behind |
Newark |
|
Ah, my heart, I know you well |
anon |
|
What causeth me woeful thoughtes |
Newark |
|
So far I trow from remedy |
Newark |
|
My woeful heart in painful weariness |
Sheryngham |
|
Deemed wrongfully in absent |
anon |
|
O my desire, what aileth thee? |
Newark |
|
Let search your mindës eye |
Hamshere |
|
Love fain would I |
anon |
|
Now the law is led |
Davy |
|
That was my woe is now my most |
Fayrfax |
|
Benedicite! what dreamed I? |
[Fayrfax] |
|
To complain me, alas |
[Fayrfax] |
|
Alas, it is I |
Turges |
|
I am he that hath you daily served |
Turges |
|
…I play daily their pains |
anon |
|
But why am I so abused? |
Newark |
|
Your counterfeiting |
Newark |
|
Thus musing in my mind |
Newark |
|
Most clear of colour |
Fayrfax |
|
I love, loved, and loved would I be |
Fayrfax |
|
Alas, for lack of her presence |
Fayrfax |
|
That was my joy is now my woe |
anon |
|
Somewhat musing |
Fayrfax |
|
Madame, defrain! |
anon |
|
O root of truth, O princess |
Tutor |
|
I love, I love, and whom love ye? |
Philipps |
|
Complain I may |
anon |
|
Alone, alone: As I me walked |
anon |
|
Ah, my dear, ah, my dear son |
anon |
|
Jesu, mercy, how may this be? |
Browne |
|
Afraid, alas, and why so suddenly? |
anon |
|
Woefully arrayed |
Cornish |
|
Ah, gentle Jesu |
Sheryngham |
|
Woefully arrayed |
Browne |
|
My fearful dream |
Banastir |
|
Ah, blessed Jesu, how fortuned this? |
Davy |
|
Ah, mine heart, remenber thee well |
Davy |
|
Margaret meek |
Browne |
|
Joan is sick and ill at ease |
Davy |
|
Ay, besherew you! |
W. Cornish, junior |
|
Who shall have my fair lady? |
anon |
|
Hoyda, hoyda, jolly rutterkin |
W. Cornish, junior |
|
From stormy windes |
Turges |
|
This day day daws |
anon |
|
Shall pathes to the greenwood |
anon |
|
Enforce yourself as Goddes knight |
Turges |
|
Be it known to all that bin here |
anon |
|
In a slumber late as I was |
anon |
|
I have been a foster |
anon |
|
My woeful heart |
anon |
|
Be peace! ye make me spill my ale! |
anon |
|
| 21.
|
楽譜
|
Sterndale Bennett ; transcribed and edited by Geoffrey Bush
目次情報:
続きを見る
|
Piano sonata no. 1 op. 13 |
|
|
Suite de pièces op. 24 |
|
|
Chamber trio op. 26 |
|
|
Sonata-duo op. 32 |
|
|
Piano sonata no. 1 op. 13 |
|
|
Suite de pièces op. 24 |
|
|
Chamber trio op. 26 |
|
|
| 22.
|
楽譜
|
Matthew Locke ; transcribed and edited by Peter Le Huray
目次情報:
続きを見る
|
Motets. Ad te levavi oculos meos |
|
|
Audi, Domine, clamantes ad te |
|
|
Domini est terra |
|
|
Jesu auctor clementie |
|
|
Jubilate Deo omnis terra |
|
|
Super flumina Babylonis |
|
|
Anthems. Be thou exalted Lord |
|
|
How doth the city |
|
|
I will hear what the Lord God will say |
|
|
Lord let me know mine end |
|
|
Not unto us, O Lord |
|
|
O be joyful in the Lord, all ye lands |
|
|
The Lord hear thee in the day of trouble |
|
|
Turn thy face from my sins |
|
|
When the son of man shall come |
|
|
Who shall separate us |
|
|
Motets. Ad te levavi oculos meos |
|
|
Audi, Domine, clamantes ad te |
|
|
Domini est terra |
|
|
| 23.
|
楽譜
|
John Jenkins ; transcribed and edited by Donald Peart
目次情報:
続きを見る
|
Fantazia [in C minor] |
|
|
Fantazia [in D minor] |
|
|
Fantazia [in A minor] |
|
|
Pavine [in A minor]: "the belle pavine" |
|
|
Pavine [in F major] |
|
|
Fancy [in E minor] |
|
|
Fancy [in G minor] |
|
|
In nomine [in G minor] |
|
|
In nomine [in E minor] |
|
|
Fantazia [in C minor] |
|
|
Fantazia [in D minor] |
|
|
Fantazia [in A minor] |
|
|
| 24.
|
楽譜
|
edited and reconstructed by Warwick Edwards
目次情報:
続きを見る
|
The Lady Frances Sidney's goodnight |
Richard Allison |
|
Sharp pavan |
Richard Allison |
|
Pavan dolorosa |
Richard Allison |
|
Almain |
Richard Allison |
|
The Lady Frances Sidney's almain |
Richard Allison |
|
Sir Francis Walsingham's goodnight |
Daniel Bachler |
|
Sir Francis Walsingham's goodmorrow |
Daniel Bachler |
|
The Lady Frances Sidney's felicity |
Daniel Bachler |
|
The Lady Walsingham's conceits |
Daniel Bachler |
|
Daniel's trial |
Daniel Bachler |
|
The Widow's mite |
Daniel Bachler |
|
Daniel's almain |
Daniel Bachler |
|
Delight pavan |
Johnson |
|
The flat pavan |
Anon |
|
Lavecchia |
Anon |
|
Pavan |
Richard Reade |
|
Galliard |
Richard Reade |
|
Reade's almain |
[Holborne, set by Richard Reade?] |
|
The Jew's dance |
Richard Nicholson |
|
Duncomb's galliard |
Anon |
|
James Harding's galliard |
Anon |
|
Holborne's farewell |
[Holborne, set by Anon.] |
|
Tarleton's jig |
Anon |
|
Primero |
Anon |
|
Fortune my foe |
[lute part by John Dowland] |
|
Nutmegs and ginger |
Anon |
|
The Sprite's tune |
Anon |
|
Now is the month of May |
Thomas Morley |
|
Southerne's pavan |
Thomas Morley |
|
The sacred end pavan |
Thomas Morley |
|
Galliard to the sacred end |
John Baxter |
|
Masque music (I): Move now |
Thomas Campion |
|
Masque music (II) |
Thomas Lupo |
|
Masque music (III) |
Thomas Lupo |
|
The Lady Frances Sidney's goodnight |
Richard Allison |
|
Sharp pavan |
Richard Allison |
|
Pavan dolorosa |
Richard Allison |
|
| 25.
|
楽譜
|
Samuel Wesley ; transcribed and edited by John Marsh
|
| 26.
|
楽譜
|
William Byrd ; transcribed and edited by Alan Brown
目次情報:
続きを見る
|
[v.] 1. Pieces with "G" final (minor). Prelude |
|
|
Passamezzo pavan |
|
|
Passamezzo galliard |
|
|
Pavan: Sir William Petre |
|
|
Galliard |
|
|
Pavan |
|
|
Pavan: Delight |
|
|
Fortune |
|
|
Rowland or Lord Willoughby's Welcome Home |
|
|
Walsingham |
|
|
Ground |
|
|
The queen's alman |
|
|
Alman |
|
|
Pieces with "A" final (minor). Prelude |
|
|
Fantasia |
|
|
Pavan: The earl of Salisbury |
|
|
Second galliard |
|
|
The galliard jig |
|
|
Qui passe: for my lady Nevell |
|
|
Hugh Ashton's ground or tregian's ground |
|
|
The first french coranto |
|
|
The second french coranto |
|
|
The third french coranto |
|
|
Jig |
|
|
Pieces with "B" flat final (major). Pavan |
|
|
Pieces with "C" final (major & minor). Prelude |
|
|
Verse |
|
|
Pavan: Kinborough good |
|
|
Galliard: mistress Mary Brownlow |
|
|
Callino casturame |
|
|
The carman's whistle |
|
|
Wilson's wild |
|
|
The bells |
|
|
Hornpipe |
|
|
The Hunt's up (I) |
|
|
The Hunt's up (II) |
|
|
Monsieur'alman |
|
|
Coranto |
|
|
[v.] 2. Pieces with "D" final (minor). Fantasia |
|
|
Clarifica me, pater (I) |
|
|
Clarifica me, pater (II) |
|
|
Clarifica me, pater (III) |
|
|
Gloria tibi trinitas |
|
|
In nomine |
|
|
Lachrymae pavan |
|
|
All in a garden green |
|
|
My lady Nevell's ground |
|
|
Pieces with "F" final (major). Ut re mi fa sol la |
|
|
Pavan: bray |
|
|
Pavan: Ph. tregian |
|
|
Pieces with "G" final (major). Voluntary: for my lady Nevell |
|
|
Ut re mi fa sol la |
|
|
Ut mi re |
|
|
Miserere (I) |
|
|
Miserere (II) |
|
|
Salvator Mundi (I) |
|
|
Salvator Mundi (II) |
|
|
Quadran pavan |
|
|
Quadran galliard |
|
|
Pavan: Canon 2 in 1 |
|
|
Lady Monteagle's pavan |
|
|
The ghost |
|
|
Go from my window |
|
|
Gypsies' round |
|
|
John come kiss me now |
|
|
The maiden's song |
|
|
O mistress mine |
|
|
Sellinger's round |
|
|
The woods so wild |
|
|
Monsieur's alman (I) |
|
|
Monsieur's alman (II) |
|
|
Lavolta: lady Morley |
|
|
Lavolta |
|
|
The barley-break |
|
|
The march before the battle: or, The earl of Oxford's march |
|
|
The battle |
|
|
The galliard for the victory |
|
|
[v.] 1. Pieces with "G" final (minor). Prelude |
|
|
Passamezzo pavan |
|
|
Passamezzo galliard |
|
|
